Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

My Work

View through The Met
Five-color etching softground etching aquatint spit bite scraping and color woodcut on Somerset soft white paper
Drawings and Prints, Metropolitan Museum of Art New York NY, Gift of Diane Villani 2023
Title: My Work
Description:
Five-color etching softground etching aquatint spit bite scraping and color woodcut on Somerset soft white paper.

Related Results

Chan (Better known in English by the Japanese term "Zen")
Chan (Better known in English by the Japanese term "Zen")
This large, vertically oriented, rectangular album leaf is inscribed with a single character reading "Chan". The character, which is better known in the West by the Japanese pronun...
Breechcloth
Breechcloth
Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...
La Piedad
La Piedad
The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...
Boots
Boots
CLOTHING AND ACCESSORIES: production and decoration The wealth of the Plains consisted of the immense bison herds. The bison didn't just provide food. The hide of this animal was u...
The Crucifixion
The Crucifixion
Within the Museum’s collection this panel offers one of the most eloquent examples of the figurative and technical transformations that took place in southern European art in the f...
Adults and Lifelong Learning
Adults and Lifelong Learning
There is a wide range of programmes and resources inspired by the Museums’ permanent and temporary exhibitions to stimulate creativity, engage your curiosity and provide thought-pr...
The Pietà
The Pietà
The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

Back to Top