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Martial, Latin poet

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Martial (Marcus Valerius Martialis, born c. 38–41 ce in Bilbilis, Spain, died c. 101–104) was a Latin poet who came to Rome around 64 ce. His early works were linked to specific occasions: the De Spectaculis, written for the inaugural games of the Colosseum in 80 ce, and the Xenia and Apophoreta (published c. 83–85 ce), associated with the celebration of the Saturnalia. Over the course of his subsequent career, Martial published twelve numbered books of epigrams. His version of epigram, which became canonical in later centuries, was the result of a highly distinctive series of interventions. Drawing on a range of Greek and Latin literary models, he imprinted onto epigram a constellation of recognizable traits: the set-up and punchline structure of epigrammatic wit, a materialist focus on quotidian realities, the forthright use of obscene language, and a relaxed mood of carnivalesque festivity. The genre of epigram, thus inflected and reconfigured, allowed Martial to position himself in relation to the canonical Augustan poets and define his poetic role under authoritarian emperors.
Title: Martial, Latin poet
Description:
Martial (Marcus Valerius Martialis, born c.
38–41 ce in Bilbilis, Spain, died c.
101–104) was a Latin poet who came to Rome around 64 ce.
His early works were linked to specific occasions: the De Spectaculis, written for the inaugural games of the Colosseum in 80 ce, and the Xenia and Apophoreta (published c.
83–85 ce), associated with the celebration of the Saturnalia.
Over the course of his subsequent career, Martial published twelve numbered books of epigrams.
His version of epigram, which became canonical in later centuries, was the result of a highly distinctive series of interventions.
Drawing on a range of Greek and Latin literary models, he imprinted onto epigram a constellation of recognizable traits: the set-up and punchline structure of epigrammatic wit, a materialist focus on quotidian realities, the forthright use of obscene language, and a relaxed mood of carnivalesque festivity.
The genre of epigram, thus inflected and reconfigured, allowed Martial to position himself in relation to the canonical Augustan poets and define his poetic role under authoritarian emperors.

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