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Jean Rhys
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Jean Rhys (1890-1979) is the author of five novels and over seventy short stories. The essays collected in Jean Rhys: Twenty-First-Century Approaches demonstrate Rhys’s centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight, as well as her later bestseller, Wide Sargasso Sea (1966). The volume establishes Rhys as a major author with relevance to a number of different critical discourses, and includes a section on affect theory that shows how contemporary interest in Rhys correlates with the recent “affective turn” in the social sciences and humanities. Strangely haunting and deeply unsettling, Rhys’s portraits of dispossessed women living in the early and late twentieth-century continue to trouble critical categories and easy conceptualisations of the periods her work spans.
Edinburgh University Press
Title: Jean Rhys
Description:
Jean Rhys (1890-1979) is the author of five novels and over seventy short stories.
The essays collected in Jean Rhys: Twenty-First-Century Approaches demonstrate Rhys’s centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After Leaving Mr.
Mackenzie, and Good Morning, Midnight, as well as her later bestseller, Wide Sargasso Sea (1966).
The volume establishes Rhys as a major author with relevance to a number of different critical discourses, and includes a section on affect theory that shows how contemporary interest in Rhys correlates with the recent “affective turn” in the social sciences and humanities.
Strangely haunting and deeply unsettling, Rhys’s portraits of dispossessed women living in the early and late twentieth-century continue to trouble critical categories and easy conceptualisations of the periods her work spans.
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Wander, Watch, Repeat: Jean Rhys and Cinema
Wander, Watch, Repeat: Jean Rhys and Cinema
This explores how modernist literature in the late 1920s and in the 1930s engaged with and conceptualised cinema culture, focusing on Jean Rhys’s early novels as a case study. It ...
Fashion in Jean Rhys/Jean Rhys in Fashion
Fashion in Jean Rhys/Jean Rhys in Fashion
This article proposes a reciprocal relationship between Jean Rhys's interwar fiction and the mass media that popularised her work in the 1960s and 1970s. Surveying the signs that R...
‘Upholstered Ghosts’: Jean Rhys’s Posthuman Imaginary
‘Upholstered Ghosts’: Jean Rhys’s Posthuman Imaginary
Each of Jean Rhys’s novels written during the modernist period presents a world in which her female protagonists are besieged by poverty, exile, loneliness, and abasement at the ha...
Jean Rhys and Katherine Mansfield Writing the ‘sixth act’
Jean Rhys and Katherine Mansfield Writing the ‘sixth act’
Jean Rhys (1890-1979) and Katherine Mansfield (1888-1923) were born within two years of each other in what were then British colonies under the New Imperialism. Rhys’s relative lon...
Jean Rhys’s Environmental Language: Oppositions, Dialogues and Silences
Jean Rhys’s Environmental Language: Oppositions, Dialogues and Silences
Postcolonial ecocriticism is a new and rapidly growing field, characterized by a consciousness of the simultaneous depredation of subordinated people and land both during and after...
Female Island: Jean Rhys’s Wide Sargasso Sea
Female Island: Jean Rhys’s Wide Sargasso Sea
Abstract
Two leading articles of feminist hue – “The Laugh of the Medusa” (1976) and “Feminist Criticism in the Wilderness” (1981) – by two seminal figures, Hélène C...
The Empire of Affect: Reading Rhys after Postcolonial Theory
The Empire of Affect: Reading Rhys after Postcolonial Theory
This essay contributes to developing 21st-century readings of Rhys by exploring her work in relation to more recent theories of affect, particularly those associated with Brian Mas...
On the Veranda: Jean Rhys’s Material Modernism
On the Veranda: Jean Rhys’s Material Modernism
This chapter focuses on the veranda in Rhys’s writing as an architectural space that opens onto multiple stories, its material history embedded within five centuries of imperial co...

