Javascript must be enabled to continue!
Introduction
View through CrossRef
The Introduction outlines the various chapters. It then situates the question of ‘body’ in the modern Western philosophical tradition following Descartes, and argues that this leaves subsequent responses to come under one of three options: metaphysical dualism of body and subject; any anti-dualist reductionism; or the overcoming of the divide. Describing the Phenomenology of Merleau-Ponty as a potent example of the third strategy, the Introduction then suggests his philosophy will function as foil to the ecological phenomenology developed and presented in the book. Moreover, one approach within the Western Phenomenological tradition, of treating phenomenology as a methodology for the clarification of experience (rather than the means to the determination of an ontology of the subject) is compared to the approach in this book. Since classical India, while understanding dualism, did not confront the challenge of Descartes (for better or for worse), its treatment of body follows a different trajectory.
Title: Introduction
Description:
The Introduction outlines the various chapters.
It then situates the question of ‘body’ in the modern Western philosophical tradition following Descartes, and argues that this leaves subsequent responses to come under one of three options: metaphysical dualism of body and subject; any anti-dualist reductionism; or the overcoming of the divide.
Describing the Phenomenology of Merleau-Ponty as a potent example of the third strategy, the Introduction then suggests his philosophy will function as foil to the ecological phenomenology developed and presented in the book.
Moreover, one approach within the Western Phenomenological tradition, of treating phenomenology as a methodology for the clarification of experience (rather than the means to the determination of an ontology of the subject) is compared to the approach in this book.
Since classical India, while understanding dualism, did not confront the challenge of Descartes (for better or for worse), its treatment of body follows a different trajectory.
Related Results
Candrakīrti's Introduction to the Middle Way
Candrakīrti's Introduction to the Middle Way
Abstract
Candrakīrti’s “Introduction to the Middle Way” (Madhyamakāvatāra) is a central work of Buddhist philosophy for two reasons. First, it provides an introducti...
Introduction to the Art of Singing by Johann Friedrich Agricola
Introduction to the Art of Singing by Johann Friedrich Agricola
Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola adde...
Introduction
Introduction
The Introduction argues that witnessing constitutes an important social, political, and moral mode of address in modern public culture. It justifies this main claim while also expl...
Introduction
Introduction
This introduction to the volume outlines the broader questions raised and answered through a cross-chronological study of tyranny and bad rule. It argues that, as an inversion of t...
Introduction
Introduction
In this chapter, we provide a brief introduction to our book. We discuss the following themes, which run throughout this edited book on depressive disorders and comorbidity: assess...
Introduction: The Love of Lacan (Derrida, Žižek)
Introduction: The Love of Lacan (Derrida, Žižek)
This introduction sets the scene by recognising that more recent reinvestments in the ‘political’ facility and prospects of psychoanalysis, frequently routed through debates around...
Introduction
Introduction
The Introduction accomplishes several things. It emphasizes the central subject matter of the book, which is the relationships between freedom of speech and other (“non-speech”) co...
Literature and Sound Film in Mid-Century Britain
Literature and Sound Film in Mid-Century Britain
Abstract
What happened to cinema and literature upon the introduction of synchronized sound film? Literature and Sound Film in Mid-Century Britain studies the paths ...

