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The Execution of Afrasiyab (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
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The Turanians were at last defeated in battle, but their king, Afrasiyab, escaped. Eventually Hum, a recluse, discovered Afrasiyab hiding in a cave in the mountains and brought him to Kay Khusraw. In revenge for Siyavush’s murder, the Iranian king put Afrasiyab to death in the same manner, beheading him with a sword and collecting his blood in a basin. Afrasiyab’s brother Garsivaz, who had been present at Siyavush’s execution, was also put to death.
The illustration shows the beheading of the old Turanian king, witnessed rather than performed by Kay Khusraw, who sits on a throne surrounded by his retinue. Afrasiyab’s severed head rolls leftward off the carpet. In another departure from the text, the artist has omitted the basin used to catch Afrasiyab’s blood.
Department of Islamic & Later Indian Art
[Christies London 17 October 1995 lot no. 79]. [Mansour Gallery London before 1998] sold; to Stanford and Norma Jean Calderwood Belmont MA (by 1998-2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: The Execution of Afrasiyab (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
Description:
The Turanians were at last defeated in battle, but their king, Afrasiyab, escaped.
Eventually Hum, a recluse, discovered Afrasiyab hiding in a cave in the mountains and brought him to Kay Khusraw.
In revenge for Siyavush’s murder, the Iranian king put Afrasiyab to death in the same manner, beheading him with a sword and collecting his blood in a basin.
Afrasiyab’s brother Garsivaz, who had been present at Siyavush’s execution, was also put to death.
The illustration shows the beheading of the old Turanian king, witnessed rather than performed by Kay Khusraw, who sits on a throne surrounded by his retinue.
Afrasiyab’s severed head rolls leftward off the carpet.
In another departure from the text, the artist has omitted the basin used to catch Afrasiyab’s blood.
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