Javascript must be enabled to continue!
Images of a Gendered Kingship: Visual Representations of Hatshepsut and Her Influence on Images of Nefertiti
View through CrossRef
I investigate why gendered images of Hatshepsut influenced androgynous images of Nefertiti in New Kingdom Egypt and how Nefertiti and Akhenaten used their images in the promotion of their monotheistic religion; through a contextual, stylistic and feminist examination of the images. Hatshepsut cultivated images of herself to legitimize her rule in relation to canonical kings before her. Similarly, Nefertiti represented herself as a figure indiscernible from Akhenaten, creating an image of female co-rulership. Although the visual representations of both Hatshepsut and Nefertiti differ, the concepts behind each are analogous. They both manipulated androgyny to create images displaying powerful women equal in status to male Egyptian kings.
Title: Images of a Gendered Kingship: Visual Representations of Hatshepsut and Her Influence on Images of Nefertiti
Description:
I investigate why gendered images of Hatshepsut influenced androgynous images of Nefertiti in New Kingdom Egypt and how Nefertiti and Akhenaten used their images in the promotion of their monotheistic religion; through a contextual, stylistic and feminist examination of the images.
Hatshepsut cultivated images of herself to legitimize her rule in relation to canonical kings before her.
Similarly, Nefertiti represented herself as a figure indiscernible from Akhenaten, creating an image of female co-rulership.
Although the visual representations of both Hatshepsut and Nefertiti differ, the concepts behind each are analogous.
They both manipulated androgyny to create images displaying powerful women equal in status to male Egyptian kings.
Related Results
Mindy Calling: Size, Beauty, Race in The Mindy Project
Mindy Calling: Size, Beauty, Race in The Mindy Project
When characters in the Fox Television sitcom The Mindy Project call Mindy Lahiri fat, Mindy sees it as a case of misidentification. She reminds the character that she is a “petite ...
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relatio...
Power in Silence: Captions, Deafness, and the Final Girl
Power in Silence: Captions, Deafness, and the Final Girl
IntroductionThe horror film Hush (2016) has attracted attention since its release due to the uniqueness of its central character—a deaf–mute author who lives in a world of silence....
E-Press and Oppress
E-Press and Oppress
From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a te...
Like Lady Godiva
Like Lady Godiva
Introducing Lady Godiva through a Fan-Historical Lens
The legend of Lady Godiva, who famously rode naked through the streets of Coventry, veiled only by her long, flowing hair, has...
“Lavender Haze” in the Airways
“Lavender Haze” in the Airways
Introduction
Taylor Swift has dominated global press in recent years through the success of her Eras Tour, her use of authenticity in branding (Khanal 234), and her choreographed e...
A Cookbook of Her Own
A Cookbook of Her Own
Introduction The recipe is more than just a list of ingredients and the instructions on how to prepare a particular dish. Recipes also are, as Janet Floyd and Laurel Foster argu...
Inji Efflatoun
Inji Efflatoun
Inji Efflatoun was born on 16 April 1924 to a wealthy family descended from the Turkish-Ottoman administrative elite, who in the 20th century became a part of Cairo’s French-speaki...

