Fight Club’s Critical Reactions and Cultural Contexts

This chapter explores the critical reactions to Fight Club (1999). Fight Club has a complex, postmodern approach to genre and narrative; it is a generic hybrid that resists categorisation and a narrative that avoids precise resolution. Critical responses were wide ranging but the most vociferous and aggressive were from renowned critics like Roger Ebert and Alexander Walker who found the film repellent and nihilistic. Many critics linked the film to an infantile reading of Nietzsche, which further raised the spectre of the Nazis and helped endorse the view that Fight Club was politically dangerous and morally repugnant. However, critical opinion was split, with some reviewers seeing Fight Club as a brilliantly effective critique and biting satire of contemporary life. The film also created censorship issues for the British Board of Film Classification (BBFC) who insisted on minor cuts to two scenes of fighting. The chapter then considers the cultural contexts of Fight Club. In 1999, the fear of the ‘Millennium Bug’ was indicative of a general anxiety over many aspects of Western culture. These were focused on notions of gender and in particular male anxiety of emasculation and feminisation, as well as generational mistrust and unease.