Javascript must be enabled to continue!
Lucan's "Auctor Vix Fidelis"
View through CrossRef
This paper provides a narratological analysis of Lucan's Bellum Civile, focusing on the role of internal and external narratees (receivers of a text). In particular it treats Pompey and Caesar in the roles of narrator and reader, respectively. An important passage (7.207-13) characterizes the external narratees of the Bellum Civile as astonished by the events of the epic, and indeed unwilling to believe the historical fact of Pompey's defeat as Pharsalia. Similarly, characters within the epic (named and unnamed) repeatedly refuse to believe Pompey's narrations. Pompey's failure as a general is, therefore, underscored by his failure as a narrator. Even in his death, Pompey becomes a text that, when read by passersby, will not gain credence. Caesar, by contrast, is a reader. By reading texts selectively (especially the "text" of the ruined Troy) he constructs for himself a noble past, a sure future, and epic fame. When he is called upon to create a narrative himself (after the death of Pompey), his narrative, too, is disbelieved. But Caesar, unlike Pompey, anticipates and reacts positively to the failure of his narrative to convince. The story that Lucan presents is constructed as unbelievable. It is a text of ruin, of that which specifically cannot be narrated. For epic narration has at its core the rescue of events, people, and places from oblivion. An epic of ruin (of that which has resulted in oblivion) is, therefore, a contradiction in terms. Thus, the Bellum Civile succeeds by its very failure to convince, recreating in its unbelievable narrative the failure of events themselves.
Title: Lucan's "Auctor Vix Fidelis"
Description:
This paper provides a narratological analysis of Lucan's Bellum Civile, focusing on the role of internal and external narratees (receivers of a text).
In particular it treats Pompey and Caesar in the roles of narrator and reader, respectively.
An important passage (7.
207-13) characterizes the external narratees of the Bellum Civile as astonished by the events of the epic, and indeed unwilling to believe the historical fact of Pompey's defeat as Pharsalia.
Similarly, characters within the epic (named and unnamed) repeatedly refuse to believe Pompey's narrations.
Pompey's failure as a general is, therefore, underscored by his failure as a narrator.
Even in his death, Pompey becomes a text that, when read by passersby, will not gain credence.
Caesar, by contrast, is a reader.
By reading texts selectively (especially the "text" of the ruined Troy) he constructs for himself a noble past, a sure future, and epic fame.
When he is called upon to create a narrative himself (after the death of Pompey), his narrative, too, is disbelieved.
But Caesar, unlike Pompey, anticipates and reacts positively to the failure of his narrative to convince.
The story that Lucan presents is constructed as unbelievable.
It is a text of ruin, of that which specifically cannot be narrated.
For epic narration has at its core the rescue of events, people, and places from oblivion.
An epic of ruin (of that which has resulted in oblivion) is, therefore, a contradiction in terms.
Thus, the Bellum Civile succeeds by its very failure to convince, recreating in its unbelievable narrative the failure of events themselves.
Related Results
An Investigation of Lucan Meals with relevance to Food Justice in India
An Investigation of Lucan Meals with relevance to Food Justice in India
This dissertation is concerned with interpreting the Lucan meal narrations to elucidate what Luke was saying about human needs, especially in relation to food, in order to bring th...
Thunder and Lament
Thunder and Lament
Lucan’s epic poem Pharsalia tells the story of the cataclysmic “end of Rome” through the victory of Julius Caesar and Caesarism in the civil wars of 49–48 BCE. This book argues tha...
Introduction
Introduction
The Introduction begins with a reading of the poet Statius’s “birthday ode” to Lucan (Silvae 2.7), written some twenty-five to thirty years after the earlier poet’s death. Statius,...
Lucan at and against Epic’s Beginnings
Lucan at and against Epic’s Beginnings
This chapter offers close readings of three programmatic passages in which Lucan holds up his polemical engagement with early epic models. The chapter begins with treatment of Caes...
Lucan and the Closing of the Maritime Moment
Lucan and the Closing of the Maritime Moment
This chapter explores Lucan’s closure of a theme that is central to Livius Andronicus’s Odusia and Naevius’s Bellum Punicum, as well as Ennius’s Annales: Rome’s emerging control of...
Conclusion
Conclusion
The Conclusion ties together the variety of ways Lucan seeks to uproot and close off the epic genre and then considers what he does make survive—that is, where there may be opening...
Toppling Topoi: Epic’s Violence Directed against Itself
Toppling Topoi: Epic’s Violence Directed against Itself
This chapter considers the Pharsalia’s inclusion of conventional episodes of violence that go back to epic’s foundational texts, and Lucan’s redirection of the violence in those ep...
«A’ quai Lucan seguitava». Su Boccaccio lettore della Pharsalia
«A’ quai Lucan seguitava». Su Boccaccio lettore della Pharsalia
Lucan was one of the most widely read and studied classical authors during the Middle Ages, a reference point for teaching, historiography and literature. The essay attempts to out...

