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Compositional and Morphological Comparison among Three Coeval Violins Made by Giuseppe Guarneri “del Gesù” in 1734
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In the present work, we had the opportunity to study the coating systems of three different coeval violins, namely “Spagnoletti”, “Stauffer”, and “Principe Doria”, made by Giuseppe Guarneri “del Gesù” in 1734. These three violins were non-invasively investigated by reflection Fourier transform infrared spectroscopy and X-ray fluorescence. These two techniques were combined for the first time with a 3D laser scanner. The analytical campaign enabled the characterization of the materials and their distribution within the stratigraphy, mainly composed of varnish and, when present, of a proteinaceous ground coat. Some restoration materials were also identified, suggesting the application of different maintenance treatments undertaken during their history. The preliminary information about morphological and geometrical differences between the three coeval violins were acquired through the 3D laser scanner in order to observe similarities and differences in the design features among the three violins.
Title: Compositional and Morphological Comparison among Three Coeval Violins Made by Giuseppe Guarneri “del Gesù” in 1734
Description:
In the present work, we had the opportunity to study the coating systems of three different coeval violins, namely “Spagnoletti”, “Stauffer”, and “Principe Doria”, made by Giuseppe Guarneri “del Gesù” in 1734.
These three violins were non-invasively investigated by reflection Fourier transform infrared spectroscopy and X-ray fluorescence.
These two techniques were combined for the first time with a 3D laser scanner.
The analytical campaign enabled the characterization of the materials and their distribution within the stratigraphy, mainly composed of varnish and, when present, of a proteinaceous ground coat.
Some restoration materials were also identified, suggesting the application of different maintenance treatments undertaken during their history.
The preliminary information about morphological and geometrical differences between the three coeval violins were acquired through the 3D laser scanner in order to observe similarities and differences in the design features among the three violins.
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