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Gasc, Anna Rosina de (Vorlage): Porträt Maria Rosina Schindler
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Short all-figure portrait after the semi-left of Maria Rosina Schindler, born Bose (1688-1746) in Witwent(, as a counterpart to the portrait of her husband Severin Schindler, entrepreneur of a Prussian gold and silver factory. He had died in 1737 and donated his fortune to the Schindlersche Waisenhaus in Berlin, Georg Lisiewski painted his portrait posthumously in 1739, his daughter Barbara Rosina created the portrait of the widow in 1740. The father might want to promote his daughter and challenge her talent by not taking over the portrait assignment himself. The Lisiewskis were well known with the Schindler couple, Maria Rosina Schindler was also the patron of Barbara Rosina (Kovalevski 2010, p. 97). The portrait paintings of the couple are preserved in the castle church in Schöneiche near Berlin.
The depicted stands at a magnificent table, on whose tabletop is a superimposed book. With her right hand, she points to the book text, the "Psalm 116. | 7. Now again | satisfied, my soul, | because the LORD is loathing | you good. | 8. For you have torn | my soul out of the | tode, my | auge of the thrä = | nen, my foot from the | glide. // 9. I want to walk | before the LORD | in the country of the living = | gen. " In the background, a curtain on the left against a wall structure; a view of a landscape with trees on the right; everything framed in a rectangle. The engraving originates from the sermon for Mrs. Rosina Schindler, Berlin in 1746, which created Barbara Rosina Lisiewska in 1740. A rare print of the same slab on silk also in the collection of the Stadtmuseum. [Link SM 2020-00732]
donation of Emil Hänel from Berlin-Charlottenburg, 1950, to the Märkische Museum.
Referred to the title “Ms. MARIA ROSINA SCHINDLERIN, drilled BOSIN, | Erb = Woman on Schön = Oak and Börnicke, | is | ao: 1688 d. August in Leiptzig drilled | ao: 1704 to the Lord Secret Rath Schindler | in Berlin verehliget | and das elbst | ao: 1746 d Jan: im Herr seel: | entschlaffen.”, including li. u. “Rosina Lisiewska pinxit,” re. u. "F. E. Gericke E. sit, Berlin 1746’.
Literature: Ekhart Berckenhagen: Anna Rosina Lisiewska-Matthieu-de Gasc. In: Niederdeutsche: zur Kunst: 31 (1992), pp. 77-114, here No. 121 (p. 109). - Kovalevski 2010 = Bärbel Kovalevski: "It is [...] an honor to see each other at the level of the great artists [...]."Painters of the Lisiewsky family. In: Christoph Friedrich Reinhold Lisiewsky (1725-1795). Exhibition catalog. Ed. Dessau Wörlitz’s Cultural Foundation. Berlin 2010, pp. 95-106.
Title: Gasc, Anna Rosina de (Vorlage): Porträt Maria Rosina Schindler
Description:
Short all-figure portrait after the semi-left of Maria Rosina Schindler, born Bose (1688-1746) in Witwent(, as a counterpart to the portrait of her husband Severin Schindler, entrepreneur of a Prussian gold and silver factory.
He had died in 1737 and donated his fortune to the Schindlersche Waisenhaus in Berlin, Georg Lisiewski painted his portrait posthumously in 1739, his daughter Barbara Rosina created the portrait of the widow in 1740.
The father might want to promote his daughter and challenge her talent by not taking over the portrait assignment himself.
The Lisiewskis were well known with the Schindler couple, Maria Rosina Schindler was also the patron of Barbara Rosina (Kovalevski 2010, p.
97).
The portrait paintings of the couple are preserved in the castle church in Schöneiche near Berlin.
The depicted stands at a magnificent table, on whose tabletop is a superimposed book.
With her right hand, she points to the book text, the "Psalm 116.
| 7.
Now again | satisfied, my soul, | because the LORD is loathing | you good.
| 8.
For you have torn | my soul out of the | tode, my | auge of the thrä = | nen, my foot from the | glide.
// 9.
I want to walk | before the LORD | in the country of the living = | gen.
" In the background, a curtain on the left against a wall structure; a view of a landscape with trees on the right; everything framed in a rectangle.
The engraving originates from the sermon for Mrs.
Rosina Schindler, Berlin in 1746, which created Barbara Rosina Lisiewska in 1740.
A rare print of the same slab on silk also in the collection of the Stadtmuseum.
[Link SM 2020-00732]
donation of Emil Hänel from Berlin-Charlottenburg, 1950, to the Märkische Museum.
Referred to the title “Ms.
MARIA ROSINA SCHINDLERIN, drilled BOSIN, | Erb = Woman on Schön = Oak and Börnicke, | is | ao: 1688 d.
August in Leiptzig drilled | ao: 1704 to the Lord Secret Rath Schindler | in Berlin verehliget | and das elbst | ao: 1746 d Jan: im Herr seel: | entschlaffen.
”, including li.
u.
“Rosina Lisiewska pinxit,” re.
u.
"F.
E.
Gericke E.
sit, Berlin 1746’.
Literature: Ekhart Berckenhagen: Anna Rosina Lisiewska-Matthieu-de Gasc.
In: Niederdeutsche: zur Kunst: 31 (1992), pp.
77-114, here No.
121 (p.
109).
- Kovalevski 2010 = Bärbel Kovalevski: "It is [.
] an honor to see each other at the level of the great artists [.
].
"Painters of the Lisiewsky family.
In: Christoph Friedrich Reinhold Lisiewsky (1725-1795).
Exhibition catalog.
Ed.
Dessau Wörlitz’s Cultural Foundation.
Berlin 2010, pp.
95-106.
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