Javascript must be enabled to continue!
The Russian Ballet in Western Europe 1909–1920
View through The Met
Illustrations: photomechanical reproductions and color lithographs
Drawings and Prints, Metropolitan Museum of Art New York NY, Gift of Estate of Jane Erdmann Whitney 1986
Walter Archibald Propert (Author)
John Lane (Publisher)
Essay on Music by Eugene Goossens (Author)
John Lane, The Bodley Head (Publisher)
Portrait of S. Diaghelev after Valentin Aleksandrovich Serov (Designer)
Portrait of V. Nijinsky after Jacques-Emile Blanche (Designer)
Portrait of L. Massine after Pablo Picasso (Designer)
Portrait of T. Karsavina after Glyn Warren Philpot (Designer)
Portrait of I. Stravinsky after Jacques-Emile Blanche (Designer)
Léon Bakst (Designer)
Alexander Benois (Designer)
André Derain (Designer)
Ivan Fedorovsky (Designer)
Aleksandr Yakovlevich Golovin (Designer)
Natalia Goncharova (Designer)
Mikhail Larionov (Designer)
Henri Matisse (Designer)
Pablo Picasso (Designer)
Nicholas Roerich (Designer)
Valentin Aleksandrovich Serov (Designer)
José Maria Sert Y Badia (Designer)
Sergej Jur'evic Sondeikine (Designer)
Natalia Goncharova (Designer)
Title: The Russian Ballet in Western Europe 1909–1920
Description:
Illustrations: photomechanical reproductions and color lithographs.
Related Results
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of the same name by F. Cavalli, Venice 1639). Stage design for the Paris premier
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of the same name by F. Cavalli, Venice 1639). Stage design for the Paris premier
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of th...
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the eponymous opera by F. Cavalli, Venice 1639)
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the eponymous opera by F. Cavalli, Venice 1639)
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Fra...
Art and entertainment.. art and entertainment
Art and entertainment.. art and entertainment
19 - Rudolph Nureyev during the rehearsals of a ballet, probably at the Scala in Milan; pair of dancers at the rehearsals of a ballet, the woman brings a Spanish dress and wavers a...

