Javascript must be enabled to continue!
Songwriting and AI
View through CrossRef
In this thesis, I explore and research songwriters' experience of using artificial intelligence as a songwriting tool. To do so, three participants have explored the use of two different artificial intelligence tools in their songwriting session, in collaboration with me. One of the tools is used to inspire lyrical writing and one is to create a starting point for chord progressions. To gather data, I have had three collaborative songwriting sessions, where the artists and I use the tools whilst writing a song for their artist project. As well as the sessions, there was held six qualitative interviews, two per artist. The first one was for documenting their prior experience and expectations. The second interview was held after they had received a produced demo. This was used to ask about their experiences writing songs with artificial intelligence. We also talked about the song related to ownership. The thesis questions whether artificial intelligence will make one more productive, too productive, or even if the tools can be perceived as distracting.
In addition to using Artificial Intelligence in three different songwriting sessions, I have researched the ethical dilemmas with using AI, such as copyright infringements, and discussing options for opting out of having one’s work be a part of the training of an AI.
My personal journey highly inspires the thesis through using artificial intelligence for my musical project. By using the same process as the three participants are taking part in, my debut EP, Sugarcoated, was created.
This thesis is approved by SIKT (816719).
Title: Songwriting and AI
Description:
In this thesis, I explore and research songwriters' experience of using artificial intelligence as a songwriting tool.
To do so, three participants have explored the use of two different artificial intelligence tools in their songwriting session, in collaboration with me.
One of the tools is used to inspire lyrical writing and one is to create a starting point for chord progressions.
To gather data, I have had three collaborative songwriting sessions, where the artists and I use the tools whilst writing a song for their artist project.
As well as the sessions, there was held six qualitative interviews, two per artist.
The first one was for documenting their prior experience and expectations.
The second interview was held after they had received a produced demo.
This was used to ask about their experiences writing songs with artificial intelligence.
We also talked about the song related to ownership.
The thesis questions whether artificial intelligence will make one more productive, too productive, or even if the tools can be perceived as distracting.
In addition to using Artificial Intelligence in three different songwriting sessions, I have researched the ethical dilemmas with using AI, such as copyright infringements, and discussing options for opting out of having one’s work be a part of the training of an AI.
My personal journey highly inspires the thesis through using artificial intelligence for my musical project.
By using the same process as the three participants are taking part in, my debut EP, Sugarcoated, was created.
This thesis is approved by SIKT (816719).
Related Results
The Art and Business of Songwriting
The Art and Business of Songwriting
Abstract
In The Art and Business of Songwriting, veteran songwriter, producer, arranger, vocalist, music director, and educator Larry D. Batiste shares years of expe...
The experiences of people living with dementia and their care partners participating in an online therapeutic songwriting program
The experiences of people living with dementia and their care partners participating in an online therapeutic songwriting program
Background and Aim
Despite the impact of dementia on close care relationships, accessible therapeutic services for people living with dementia and their care pa...
The Feasibility of Songwriting as Stress Management for Parents of Hospitalized Children
The Feasibility of Songwriting as Stress Management for Parents of Hospitalized Children
Abstract
Parents of hospitalized children are exposed to a multitude of psychological, emotional, and physical stressors. This exploratory program examined the feasi...
Therapeutic Songwriting: Developments in Theory, Methods, and Practice by Felicity A. Baker
Therapeutic Songwriting: Developments in Theory, Methods, and Practice by Felicity A. Baker
Summary: Over the past ten years songwriting has emerged as a popular method for many clinicians working in a therapy context. This book provides the first comprehensive examinatio...
Song creativity of Suleiman Aleskerov
Song creativity of Suleiman Aleskerov
The subject of the research is the study of the specific stylistic features of the songwriting of the outstanding composer Suleiman Aleskerov, who played an exceptional role in the...
Fostering Multimodal Literacy through Creative English Songwriting Activities
Fostering Multimodal Literacy through Creative English Songwriting Activities
Many EFL students spend years studying English without ever feeling confident enough to actually use it. This community service program at SMP Negeri 49 Maluku Tengah sought to add...
Jail Guitar Doors: A case study of guitar and songwriting instruction in Cook County Jail
Jail Guitar Doors: A case study of guitar and songwriting instruction in Cook County Jail
Jail Guitar Doors USA (JGD USA) is an initiative that provides guitars and songwriting instruction in correctional facilities. Founded in 2009, JGD USA is currently in 100 jails, p...
“It's Like Mixing Paint”: Songwriting Gender Diversity and Alternative Gender Cultures with Young People as an ‘After-queer’ Methodology
“It's Like Mixing Paint”: Songwriting Gender Diversity and Alternative Gender Cultures with Young People as an ‘After-queer’ Methodology
This paper conceptualises songwriting as an ‘after-queer’ approach for exploring notions of gender and sexuality with young people. The article draws on songs created by seven grou...

