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Pietro Antonio Locatelli
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Pietro Antonio Locatelli (b. Bergamo, 1695–d. Amsterdam, 1764) was an Italian composer and a virtuoso violinist. He started his career in his hometown, among the violinists of the Basilica of Santa Maria Maggiore in Bergamo. In 1711 he moved to Rome, probably to study with Arcangelo Corelli, the maximum musical authority of the time. The severe illness and the death (1713) of the great master frustrated the young violinist’s plans, however. Probably Locatelli had to fall back on Giuseppe Valentini, a virtuoso violinist trained at Corelli’s school. In the meantime, Locatelli worked in many places and institutions. His first employment was with Michelangelo X Caetani, duke of Cisterna and Sermoneta and prince of Caserta; he then performed with the musical chapel of Cardinal Pietro Ottoboni and Monsignor Camillo Cybo, the latter the dedicatee of Locatelli’s Op. 1. From 1716 to 1722 he was a member of the Congregatione generale dei musici di Santa Cecilia. Locatelli was in Rome until the spring of 1723. He then started a tour that led him to the main European musical centers. In 1723 Locatelli was in Venice, where made the acquaintance of the patrician Girolamo Michiel Lini, Op. 3’s dedicatee. In 1725 he was in Mantua, where was appointed “virtuoso di camera” by Philipp von Hessen-Darmstadt. In 1727 Locatelli left Italy, never to return. He had short stays in Munich (1727), Berlin, Frankfurt, and Kassel (1728). In 1729 he moved to Amsterdam, where remained until his death. There he started to print his nine Opus numbers composed during the years of pilgrimage. Locatelli wrote only instrumental music, in the genres of concerto grosso, violin concerto, violin sonata, and trio sonata. Le Cène, Van der Hoeven, and Covens were the publishers of his orchestral works, while his chamber works were instead published at his own expense. In addition, he gave weekly private concerts, taught a few rich patricians of the city, and traded in prints, books, and musical items. Studies on Locatelli’s time, life, and works are covered in several book-length studies, a complete edition, and numerous articles.
Title: Pietro Antonio Locatelli
Description:
Pietro Antonio Locatelli (b.
Bergamo, 1695–d.
Amsterdam, 1764) was an Italian composer and a virtuoso violinist.
He started his career in his hometown, among the violinists of the Basilica of Santa Maria Maggiore in Bergamo.
In 1711 he moved to Rome, probably to study with Arcangelo Corelli, the maximum musical authority of the time.
The severe illness and the death (1713) of the great master frustrated the young violinist’s plans, however.
Probably Locatelli had to fall back on Giuseppe Valentini, a virtuoso violinist trained at Corelli’s school.
In the meantime, Locatelli worked in many places and institutions.
His first employment was with Michelangelo X Caetani, duke of Cisterna and Sermoneta and prince of Caserta; he then performed with the musical chapel of Cardinal Pietro Ottoboni and Monsignor Camillo Cybo, the latter the dedicatee of Locatelli’s Op.
1.
From 1716 to 1722 he was a member of the Congregatione generale dei musici di Santa Cecilia.
Locatelli was in Rome until the spring of 1723.
He then started a tour that led him to the main European musical centers.
In 1723 Locatelli was in Venice, where made the acquaintance of the patrician Girolamo Michiel Lini, Op.
3’s dedicatee.
In 1725 he was in Mantua, where was appointed “virtuoso di camera” by Philipp von Hessen-Darmstadt.
In 1727 Locatelli left Italy, never to return.
He had short stays in Munich (1727), Berlin, Frankfurt, and Kassel (1728).
In 1729 he moved to Amsterdam, where remained until his death.
There he started to print his nine Opus numbers composed during the years of pilgrimage.
Locatelli wrote only instrumental music, in the genres of concerto grosso, violin concerto, violin sonata, and trio sonata.
Le Cène, Van der Hoeven, and Covens were the publishers of his orchestral works, while his chamber works were instead published at his own expense.
In addition, he gave weekly private concerts, taught a few rich patricians of the city, and traded in prints, books, and musical items.
Studies on Locatelli’s time, life, and works are covered in several book-length studies, a complete edition, and numerous articles.
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