Javascript must be enabled to continue!
The Alfonso X’s patronage of Gothic architecture
View through CrossRef
This article examines the architectural patronage of King Alfonso X and the notion of a ‘Court Style’ in thirteenth-century Gothic architecture. Following brief consideration of problems of evidence, I briefly sketch common characteristics of the architectural patronage of Alfonso’s royal rivals and allies across Europe and the Iberian Peninsula. This prompts reassessment of the king’s relationships with mendicant and Cistercian orders, and then detailed consideration of his financial contributions to the cathedrals of Toledo, Burgos and León. Although royal heraldry and imagery is prominent in all three cathedrals, I argue that Alfonso probably did not play a significant role in promoting rayonnant architecture in his kingdom. The most distinctive feature of his patronage lies in his support for work on the converted mosque-cathedrals of Seville and especially Córdoba. Finally, I consider a number of projects associated with Alfonso in Seville, notably the Gothic palace in the Alcázar.
Title: The Alfonso X’s patronage of Gothic architecture
Description:
This article examines the architectural patronage of King Alfonso X and the notion of a ‘Court Style’ in thirteenth-century Gothic architecture.
Following brief consideration of problems of evidence, I briefly sketch common characteristics of the architectural patronage of Alfonso’s royal rivals and allies across Europe and the Iberian Peninsula.
This prompts reassessment of the king’s relationships with mendicant and Cistercian orders, and then detailed consideration of his financial contributions to the cathedrals of Toledo, Burgos and León.
Although royal heraldry and imagery is prominent in all three cathedrals, I argue that Alfonso probably did not play a significant role in promoting rayonnant architecture in his kingdom.
The most distinctive feature of his patronage lies in his support for work on the converted mosque-cathedrals of Seville and especially Córdoba.
Finally, I consider a number of projects associated with Alfonso in Seville, notably the Gothic palace in the Alcázar.
Related Results
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relatio...
The architecture of differences
The architecture of differences
Following in the footsteps of the protagonists of the Italian architectural debate is a mark of culture and proactivity. The synthesis deriving from the artistic-humanistic factors...
Gothic Architecture
Gothic Architecture
The architectural tradition now known as Gothic flourished across most of Europe throughout the later Middle Ages, producing spectacular structures that dominate their home cities ...
A discussion framework of store image and patronage: a literature review
A discussion framework of store image and patronage: a literature review
Purpose
The purpose of this paper is to critically review the literature that explores the relationships between store image and store patronage behaviour, thereby providing the pr...
Architecture between heteronomy and self-generation
Architecture between heteronomy and self-generation
Introduction
«I have never worked in the technocratic exaltation, solving a constructive problem and that’s it. I’ve always tried to interpret the space of human life» (Vitto...
Gothic Modernisms: Modernity and the Postcolonial Gothic in Tayeb Salih's Season of Migration to the North
Gothic Modernisms: Modernity and the Postcolonial Gothic in Tayeb Salih's Season of Migration to the North
This article discusses the intersection between modernism and the Gothic, interrogating the conventional periodisation of modernism and extending the scope of both modernist and go...
Gothic Fiction and Queer Theory
Gothic Fiction and Queer Theory
The queerness of Gothic fiction is so deeply engrained that it offers a queer theory of its own. Indeed, the Gothic-ness of Queer Theory is so automatic that the latter often itsel...
Gothic Ontology and Sympathy: Moving Away from the Fold
Gothic Ontology and Sympathy: Moving Away from the Fold
Lars Spuybroek proposes an ‘ill-disciplined’ reading of John Ruskin’s vitalist, anti-classicist theory of Gothic architecture. By discussing three of the six characteristics that R...

