Javascript must be enabled to continue!
In the Palace
View through Harvard Museums
Originally part of a longer scroll copied from a lost work by the Five Dynasties painter Zhou Wenju, this scroll is an important relic of Chinese court figure painting. Executed in the "baimiao" or outline mode with touches of color only in their red hair ribbons and lips, the women and children of these intimate scenes are brought vividly to life by the sensitive brushwork of the artist. Additional scrolls preserving the other sections of Zhou Wenju's composition are found in the Metropolitan Museum of Art, the Cleveland Museum of Art, and at Villa I Tatti, Florence. A colophon dated to 1140 and preserved with the Cleveland portion states that this copy of Zhou Wenju's scroll was made for the scholar and critic Zhang Cheng (d. 1143).
Department of Asian Art
Harvard Art Museums/Arthur M. Sackler Museum Francis H. Burr Memorial Fund
Title: In the Palace
Description:
Originally part of a longer scroll copied from a lost work by the Five Dynasties painter Zhou Wenju, this scroll is an important relic of Chinese court figure painting.
Executed in the "baimiao" or outline mode with touches of color only in their red hair ribbons and lips, the women and children of these intimate scenes are brought vividly to life by the sensitive brushwork of the artist.
Additional scrolls preserving the other sections of Zhou Wenju's composition are found in the Metropolitan Museum of Art, the Cleveland Museum of Art, and at Villa I Tatti, Florence.
A colophon dated to 1140 and preserved with the Cleveland portion states that this copy of Zhou Wenju's scroll was made for the scholar and critic Zhang Cheng (d.
1143).
Related Results
[Planning of the surroundings of the Royal Palace and the San Francisco neighborhood]. General plant that comprehende the works that are projected to communicate from the Royal Palace to the neighborhood of S. Francisco [Material Pl]
[Planning of the surroundings of the Royal Palace and the San Francisco neighborhood]. General plant that comprehende the works that are projected to communicate from the Royal Palace to the neighborhood of S. Francisco [Material Pl]
Manuscript inscription, pen and black Chinese ink, in the upper left angle: "General plant that comprehends the works that are projected to/communicate from the Royal Palace to the...
[Croquis of the ground floor of the Alcázar of Seville] [Material graphic]
[Croquis of the ground floor of the Alcázar of Seville] [Material graphic]
Handwritten annotation with pen and brown ink on the upper left side: "Explanation/1 Gate of the monteria p.a enter the Palace/2 Employee rooms/3 Cocheras/4 Material storage/5 Step...
Fragment of a Wall Relief: Head of a Winged Protective Spirit
Fragment of a Wall Relief: Head of a Winged Protective Spirit
Representing the head of a winged genie, or protective spirit, this relief fragment was part of the wall decoration of the throne room of King Ashurnasirpal II's Northwest Palace a...
Portrait of Asensio Julià
Portrait of Asensio Julià
The lower left edge of the present canvas has the inscription “Goya to his friend Asensi”. Together with Asensi Julià’s known activities as an artist in the circle of Goya, this ha...
painting (oil): ["Astraea Returns To Earth" or "The Apotheosis of Charles ll"]
painting (oil): ["Astraea Returns To Earth" or "The Apotheosis of Charles ll"]
An allegory of the Restoration. An oval picture, with, at the bottom in the foreground, a golden haired seraphim with flowing cloak and large wings. In his hands he holds a sash, b...
Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palac
Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palac
Etching and engraving, Compositions after the lost frescoes by Polidoro da Caravaggio on the facade of the Milesi Palace in Via della Maschera d'Oro Rome...
Elephants Approaching a Palace (recto, fragment); Pricked drawing of Matsya, Visnhu’s Fish Avatar (verso, fragment)
Elephants Approaching a Palace (recto, fragment); Pricked drawing of Matsya, Visnhu’s Fish Avatar (verso, fragment)
On the recto side of this page is a large caparisoned elephant approaching a palace with its trunk raised up, saluting a figure on the palace’s balcony. Due to the missing portion ...

