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Branch of Fruiting Grapes

View through Harvard Museums
In vertical format and painted in ink on paper, this hanging scroll depicts a fruiting grapevine. Two intertwined vines enter the composition from the top center; laden with lush, broad leaves and with heavy, ripe fruit, the vines hang downward, descending toward the bottom of the paper support, at which point one vine curves slightly upward and to the right, reaching almost to the painting’s right edge. Clusters of leaves at the vines' upper and lower portions partially obscure bunches of grapes that issue from the vines behind the leaves. Curling tendrils wrap around and radiate from ends of branches. The grapes and leaves were done in the “boneless manner,” meaning that they were achieved with well-controlled washes of ink but without outlines; by contrast, the vines, stems, and leaf veins were rendered with bold ink brushstrokes. The interplay between the soft ink washes and the energetic, calligraphic brushwork injects the composition with dynamism.
Department of Asian Art Chu-tsing Li Lawrence Kansas (by 2006-2012) gift; to his son B U.K. Li Milwaukee Wisconsin (2012-2015) gift; to Harvard Art Museums 2015. Footnotes: 1. Dr. Chu-tsing Li (1920-2014) Harvard Art Museums/Arthur M. Sackler Museum The Chu-tsing Li Collection Gift of B U.K. Li in memory of Chu-tsing Li Yao-wen Kwang Li and Teri Ho Li
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Title: Branch of Fruiting Grapes
Description:
In vertical format and painted in ink on paper, this hanging scroll depicts a fruiting grapevine.
Two intertwined vines enter the composition from the top center; laden with lush, broad leaves and with heavy, ripe fruit, the vines hang downward, descending toward the bottom of the paper support, at which point one vine curves slightly upward and to the right, reaching almost to the painting’s right edge.
Clusters of leaves at the vines' upper and lower portions partially obscure bunches of grapes that issue from the vines behind the leaves.
Curling tendrils wrap around and radiate from ends of branches.
The grapes and leaves were done in the “boneless manner,” meaning that they were achieved with well-controlled washes of ink but without outlines; by contrast, the vines, stems, and leaf veins were rendered with bold ink brushstrokes.
The interplay between the soft ink washes and the energetic, calligraphic brushwork injects the composition with dynamism.

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