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Neoliberalism’s Erasure of Race in Young Adult Fiction

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In this chapter, Sean P. Connors and Roberta Seelinger Trites argue that “neoliberalism has influenced the erasure of race” in contemporary YA dystopian fiction. They devise a framework for determining if a YA novel critiques or condones neoliberalism and, thus, “whether it is reproducing, complicating, or resisting” neoliberal ideologies. To demonstrate how YA dystopian novels reproduce neoliberalism as a means to privilege the individual and erase race and racist power structure, the essay considers Sherri L. Smith’s Orleans as a counterexample, arguing that Smith’s novel “employs neoliberalism” to challenge “the erasure of race.”
Title: Neoliberalism’s Erasure of Race in Young Adult Fiction
Description:
In this chapter, Sean P.
Connors and Roberta Seelinger Trites argue that “neoliberalism has influenced the erasure of race” in contemporary YA dystopian fiction.
They devise a framework for determining if a YA novel critiques or condones neoliberalism and, thus, “whether it is reproducing, complicating, or resisting” neoliberal ideologies.
To demonstrate how YA dystopian novels reproduce neoliberalism as a means to privilege the individual and erase race and racist power structure, the essay considers Sherri L.
Smith’s Orleans as a counterexample, arguing that Smith’s novel “employs neoliberalism” to challenge “the erasure of race.
”.

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