Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Film og TV-produktion i USA og Danmark

View through CrossRef
Med baggrund i den amerikanske film og TV-industris historie diskuterer Poul Erik Nielsen i denne artikel de produktionelle og organisatoriske for- hold og sammenholder dette med den forandringsproces dansk film film og TV-dramatik står midt i. Han fremhæver centrale forskelle mellem det amerikanske og danske system men argumenterer for nædvendigheden af at etablere et samarbejde mellem film og TV-branchen i Danmark, hvis man vil sikre en national filmproduktion og populærkulturel TV-dramatik med bred gennemslagskraft i forhold til publikum.
Title: Film og TV-produktion i USA og Danmark
Description:
Med baggrund i den amerikanske film og TV-industris historie diskuterer Poul Erik Nielsen i denne artikel de produktionelle og organisatoriske for- hold og sammenholder dette med den forandringsproces dansk film film og TV-dramatik står midt i.
Han fremhæver centrale forskelle mellem det amerikanske og danske system men argumenterer for nædvendigheden af at etablere et samarbejde mellem film og TV-branchen i Danmark, hvis man vil sikre en national filmproduktion og populærkulturel TV-dramatik med bred gennemslagskraft i forhold til publikum.

Related Results

Jail Guitar Doors: A case study of guitar and songwriting instruction in Cook County Jail
Jail Guitar Doors: A case study of guitar and songwriting instruction in Cook County Jail
Jail Guitar Doors USA (JGD USA) is an initiative that provides guitars and songwriting instruction in correctional facilities. Founded in 2009, JGD USA is currently in 100 jails, p...
Romantic Film-Philosophy and the Notion of Philosophical Film Criticism
Romantic Film-Philosophy and the Notion of Philosophical Film Criticism
A common critique directed at many philosophical readings of films is that they fall short of paying careful attention to film aesthetics. The film-philosopher Robert Sinnerbrink, ...
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film
In response to Shawn Loht’s 2017 project delineating a Heideggerian phenomenology of film, Phenomenology of Film: A Heideggerian Account of the Film Experience, I examine how produ...
ENQUETE: "På vegne af Danmark: Undskyld"
ENQUETE: "På vegne af Danmark: Undskyld"
ENQUETE: Astrid Nonbo Andersen: "På vegne af Danmark: Undskyld"...
Harry Potter and the Hidden Heritage Films: Genre Hybridity and the Power of the Past in the Harry Potter Film Cycle
Harry Potter and the Hidden Heritage Films: Genre Hybridity and the Power of the Past in the Harry Potter Film Cycle
The heritage film is generally considered to be a less commercial form of film-making, one which eschews populism for ‘quality’. This article seeks to question the distinctions dra...
The Impresario in British Cinema: Bernard Delfont at EMI
The Impresario in British Cinema: Bernard Delfont at EMI
The article argues that Bernard Delfont played a significant role in the development of the British film industry in the 1970s as head of EMI's entertainment division that included...
Film as Artificial Intelligence: Jean Epstein, Film-Thinking and the Speculative-Materialist Turn in Contemporary Philosophy
Film as Artificial Intelligence: Jean Epstein, Film-Thinking and the Speculative-Materialist Turn in Contemporary Philosophy
This article considers film as a form of artificial intelligence (AI). This non-anthropocentric hypothesis was first formulated in 1946 by filmmaker and theorist Jean Epstein and r...

Back to Top