Javascript must be enabled to continue!
Khusraw Parviz Enthroned in a Garden (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
View through Harvard Museums
Khusraw Parviz (r. 591–628) was the last major ruler of the Sasanian dynasty before the Muslim conquest of Iran. The scene shows the young ruler on a throne in an open garden, surrounded by his retinue. Three high-ranking officials are seated on a carpet at the left, while two others stand behind them. The king’s sword bearer and falconer are depicted on the right, and servants and musicians appear in the foreground. This illustration reflects the standard iconography of Central Asian and Persian audience scenes or official celebrations.
The doll-like, apple-cheeked figures and robustly curling clouds are characteristic of the late fifteenth-century painting style favored by the Aq Qoyunlu Turkman rulers of Shiraz. Unfortunately, a later hand has largely obliterated the finely textured, grassy ground cover.
Department of Islamic & Later Indian Art
Stanford and Norma Jean Calderwood Belmont MA (by 1998-2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Khusraw Parviz Enthroned in a Garden (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
Description:
Khusraw Parviz (r.
591–628) was the last major ruler of the Sasanian dynasty before the Muslim conquest of Iran.
The scene shows the young ruler on a throne in an open garden, surrounded by his retinue.
Three high-ranking officials are seated on a carpet at the left, while two others stand behind them.
The king’s sword bearer and falconer are depicted on the right, and servants and musicians appear in the foreground.
This illustration reflects the standard iconography of Central Asian and Persian audience scenes or official celebrations.
The doll-like, apple-cheeked figures and robustly curling clouds are characteristic of the late fifteenth-century painting style favored by the Aq Qoyunlu Turkman rulers of Shiraz.
Unfortunately, a later hand has largely obliterated the finely textured, grassy ground cover.
Related Results
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
"Here is portrayed three Moods of the Sky and the effects on the Fish and Animals. Sharks and Turtles come to the Surface when it is Raining. Wallabies and Kangaroos are out feedin...
Khusraw Parviz Murdered in his Sleep (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
Khusraw Parviz Murdered in his Sleep (painting, recto; text, verso), folio from a manuscript of the Shahnama by Firdawsi
Courtiers who supported prince Shiruy’s bid for the throne pressured him to slay his father, the captive Khusraw Parviz. Shiruy, although distressed by the idea, was too weak to st...
Illustrated manuscript of Khusraw and Shirin of Sheyhi
Illustrated manuscript of Khusraw and Shirin of Sheyhi
This is an illustrated manuscript of the Khusraw and Shirin of Sheyhi, composed in Turkish. The small manuscript is copied in vocalized naskh in two columns and fifteen lines to a ...
[Black Leather-Bound Appointment and Address Book]
[Black Leather-Bound Appointment and Address Book]
Pencil and ink on paper...
Shida is Killed at the Hands of Kay Khusraw (painting recto; text verso of folio 310), Illustrated folio from a manuscript of the Shahnama by Firdawsi
Shida is Killed at the Hands of Kay Khusraw (painting recto; text verso of folio 310), Illustrated folio from a manuscript of the Shahnama by Firdawsi
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript h...