Javascript must be enabled to continue!
Lucrezia Marinella
View through CrossRef
Lucrezia Marinella's (1571–1653) most important contributions to philosophy were two polemical treatises: The Nobility and excellence of Women, and the Defects and Vices of Men, and the Exhortations to Women and to Others if They Please. Marinella argues for the superiority of women over men in every respect: psychologically, physiologically, morally, and intellectually. She is particularly effective in using the resources of ancient philosophy to support her various arguments, in which she draws conclusions about the souls and the bodies of women, the nature and significance of women's beauty, the virtue of women and the liberty to which women as well as men are entitled. This Element showcases that her claim of superiority is intended ultimately to justify the possibility of political rule by women.
Title: Lucrezia Marinella
Description:
Lucrezia Marinella's (1571–1653) most important contributions to philosophy were two polemical treatises: The Nobility and excellence of Women, and the Defects and Vices of Men, and the Exhortations to Women and to Others if They Please.
Marinella argues for the superiority of women over men in every respect: psychologically, physiologically, morally, and intellectually.
She is particularly effective in using the resources of ancient philosophy to support her various arguments, in which she draws conclusions about the souls and the bodies of women, the nature and significance of women's beauty, the virtue of women and the liberty to which women as well as men are entitled.
This Element showcases that her claim of superiority is intended ultimately to justify the possibility of political rule by women.
Related Results
Mythological Epic and Chivalric Fiction in Moderata Fonte's and Lucrezia Marinella's Poems
Mythological Epic and Chivalric Fiction in Moderata Fonte's and Lucrezia Marinella's Poems
This article focuses on Lucrezia Marinella’s L’Enrico, ovvero Bisanzio acquistato (1635) and Moderata Fonte’s Tredici canti del Floridoro (1581). Marinella’s epic, or ‘heroic,’ poe...
Nota su Lucrezia Borgia nella musica
Nota su Lucrezia Borgia nella musica
Riasunto: Nel presente scritto si fa una riflessione sulla presenza di Lucrezia Borgia nella musica ed anche sull’interesse della figlia del papa nella musica del Tromboncino. Anco...
Tradición popular, poesía cortesana e historia: Alfonso el Magnánimo y Lucrezia D’Alagno (1448-1458). Una revisión historiográfica
Tradición popular, poesía cortesana e historia: Alfonso el Magnánimo y Lucrezia D’Alagno (1448-1458). Una revisión historiográfica
Resumen: Alfonso el Magnánimo, Rey de Aragón (1416-1458) consiguió su título de primer soberano aragonés de Nápoles en 1442, por la fuerza de las armas y tras más de dos décadas de...
Lucrezia Borgia
Lucrezia Borgia
Lucrezia Borgia (b. 1480–d. 1519) is well known as the much-loved daughter of Pope Alexander VI (see Oxford Bibliographies in Renaissance and Reformation article Alexander VI, affe...
Lucrezia Marinella
Lucrezia Marinella
Lucrezia Marinella (b. 1571–d. 1653) was a widely known author in Venice and throughout Italy in the late 16th and early 17th centuries. Her poetry and prose works were printed (an...
Moderata Fonte
Moderata Fonte
Moderata Fonte was the pseudonym of Modesta Pozzo (b. 1555–d. 1592), a gifted poet and proto-feminist who championed equal access to education for women. Her pen name (Moderate Fou...
Lucrezia Tornabuoni
Lucrezia Tornabuoni
In Florence, a city where there was no princely court to provide titles of authority to women and at a time when women were frequently kept from the public sphere of men, Lucrezia ...
Rezension von: Hartmann, Lucrezia, Schwäbisch Hall
Rezension von: Hartmann, Lucrezia, Schwäbisch Hall
Lucrezia Hartmann: Schwäbisch Hall. München: Deutscher Kunstverlag 1970. 37 S. Mit 68 Aufnahmen von Helga Schmidt-Glassner. DM 16,-....

