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Black Studies and Public Humanities
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Abstract
This essay brings Black Studies, now commonly referred to as Africana Studies, further into the public humanities dialogue. Scholars in the public humanities field are urging a practice of humanities that is collaborative and committed to racial and social justice, especially in the context of community-based scholarship. The origin and current protocols of Black Studies are also community-centric and operate within a liberatory framework in that it is ultimately concerned with the vitality of Black people across the diaspora. The essay describes the correlation between Black Studies and public humanities and discusses the usefulness of both disciplines in reckoning with slavery and its legacies at higher education institutions. In addition to giving a short genealogy of public humanities and Black Studies, the essay uses William & Mary’s Lemon Project: A Journey of Reconciliation and Chesapeake Heartland: An African American at African American Humanities Project at Washington College as examples on how to possibly navigate the challenges ahead as public humanists and Black Studies scholars critically engage with the public on memorialization, reconciliation, and redress.
Title: Black Studies and Public Humanities
Description:
Abstract
This essay brings Black Studies, now commonly referred to as Africana Studies, further into the public humanities dialogue.
Scholars in the public humanities field are urging a practice of humanities that is collaborative and committed to racial and social justice, especially in the context of community-based scholarship.
The origin and current protocols of Black Studies are also community-centric and operate within a liberatory framework in that it is ultimately concerned with the vitality of Black people across the diaspora.
The essay describes the correlation between Black Studies and public humanities and discusses the usefulness of both disciplines in reckoning with slavery and its legacies at higher education institutions.
In addition to giving a short genealogy of public humanities and Black Studies, the essay uses William & Mary’s Lemon Project: A Journey of Reconciliation and Chesapeake Heartland: An African American at African American Humanities Project at Washington College as examples on how to possibly navigate the challenges ahead as public humanists and Black Studies scholars critically engage with the public on memorialization, reconciliation, and redress.
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