Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Alexander Gillies and Adam Smith: Freemasonry and the Resonance of Self-Love

View through CrossRef
In 1766 at the Lodge of Kilwinning, Alexander Gillies, a young Scottish minister, delivered a discourse that not only manifested the influence of Adam Smith's moral theory but articulated how Christianity and freemasonry proposed distinct but complementary responses to the problem of self-love. This article, part intellectual history and part biography, examines Gillies's discourse, taking into account details of Gillies's life and establishing that he was in fact a student of Smith's at the University of Glasgow. The article then considers Smith's influence, as evident in Gillies's discourse, and reveals how a Calvinist notion of self-love resonated into the late eighteenth century. In the discourse, Gillies invoked subjects redolent of Smith's moral theory: the force of social interaction, the power of sympathy and the negative influence of self-love (a theme also manifest in some sermons of Smith's colleague, William Leechman). Like Smith, Gillies also worried about partiality and faction. Gillies forwarded the institution of freemasonry as a means—complementary to Christianity—of counteracting the tendency to partiality, born of self-love. In a later satirical composition, published in 1774 in the Edinburgh Magazine and Review, Gillies extended another critique of the power of self-love. Forged in part from his relation to Smith, Gillies's concern with self-love and his fresh stance on freemasonry yield a distinct perspective on eighteenth-century Scottish culture and ideas and offer insight into the complex relations of university, kirk and masonic lodge.
Title: Alexander Gillies and Adam Smith: Freemasonry and the Resonance of Self-Love
Description:
In 1766 at the Lodge of Kilwinning, Alexander Gillies, a young Scottish minister, delivered a discourse that not only manifested the influence of Adam Smith's moral theory but articulated how Christianity and freemasonry proposed distinct but complementary responses to the problem of self-love.
This article, part intellectual history and part biography, examines Gillies's discourse, taking into account details of Gillies's life and establishing that he was in fact a student of Smith's at the University of Glasgow.
The article then considers Smith's influence, as evident in Gillies's discourse, and reveals how a Calvinist notion of self-love resonated into the late eighteenth century.
In the discourse, Gillies invoked subjects redolent of Smith's moral theory: the force of social interaction, the power of sympathy and the negative influence of self-love (a theme also manifest in some sermons of Smith's colleague, William Leechman).
Like Smith, Gillies also worried about partiality and faction.
Gillies forwarded the institution of freemasonry as a means—complementary to Christianity—of counteracting the tendency to partiality, born of self-love.
In a later satirical composition, published in 1774 in the Edinburgh Magazine and Review, Gillies extended another critique of the power of self-love.
Forged in part from his relation to Smith, Gillies's concern with self-love and his fresh stance on freemasonry yield a distinct perspective on eighteenth-century Scottish culture and ideas and offer insight into the complex relations of university, kirk and masonic lodge.

Related Results

THE PERCEPTION OF FREEMASONRY IN THE SECOND HALF OF THE 19TH CENTURY ARMENIAN PERIODICALS AND LITERATURE
THE PERCEPTION OF FREEMASONRY IN THE SECOND HALF OF THE 19TH CENTURY ARMENIAN PERIODICALS AND LITERATURE
Freemasonry remains a relatively underexplored subject in the Armenian historiography. Specifically, the perception of Freemasonry within in the second half of the 19th century Arm...
Martin Luther and Love
Martin Luther and Love
The questions of love’s nature and its different forms were crucial to Martin Luther from the beginning of his theological career. Already as a young monk and theologian he struggl...
Ironi Cinta Sinta pada “Tanya Sinta, 3” dan “Sinta Gugat, 2” dalam Antologi Puisi Kemelut Cinta Rahwana Karya Djoko Saryono
Ironi Cinta Sinta pada “Tanya Sinta, 3” dan “Sinta Gugat, 2” dalam Antologi Puisi Kemelut Cinta Rahwana Karya Djoko Saryono
Abstract: Irony can happen anywhere, especially when it comes to love. Love can be seen as a human perception in looking at life and the world. Love has many forms. The ideal form ...
Genomic reconstruction of the SARS-CoV-2 epidemic in England
Genomic reconstruction of the SARS-CoV-2 epidemic in England
Abstract The evolution of the severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) virus leads to new variants that warrant timely epidemiological charact...
The Automedial Zaniness of Ryan Trecartin
The Automedial Zaniness of Ryan Trecartin
IntroductionThe American artist Ryan Trecartin makes digital videos that centre on the self-presentations common to video-sharing sites such as YouTube. Named by New Yorker critic ...
Coronal Heating as Determined by the Solar Flare Frequency Distribution Obtained by Aggregating Case Studies
Coronal Heating as Determined by the Solar Flare Frequency Distribution Obtained by Aggregating Case Studies
Abstract Flare frequency distributions represent a key approach to addressing one of the largest problems in solar and stellar physics: determining the mechanism tha...
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relatio...
Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers
Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers
Introduction Tiffany and Co. is an American luxury jewellery and specialty retailer with its headquarters in New York City. Each piece of jewellery, symbolically packaged in a blue...

Back to Top