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“Gainchie”, folio from the album, Fishes of India

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At the center of the page is a long, narrow, lozenge-shaped fish. It has a pointed snout and its dorsal and abdominal fins are near the end of the body cavity, next to the base of the tail. Company School. The page contains marks in pencil and ink above and below the fish. The inscriptions identify the fish as Macrognathus pancalus, a barred spiny eel, which is a freshwater fish native to southern Asia. The term “gainchie” has been erroneously inscribed on the paper; it refers to “Ganchi”, or Macrognathus aculeatus, the lesser spiny eel. This work falls into the genre of natural history documentation, an important enterprise undertaken by many European patrons during their time in India. This genre proliferated between the late eighteenth and early nineteenth century, and demonstrate the artist's intention of making quick studies from life. Individual paintings were collected to form an album that documented a variety of animals and plants, thus acting, in a way, as a field guide.
Department of Islamic & Later Indian Art Harvard Art Museums/Arthur M. Sackler Museum Gweneth Knight Memorial Fund and the William M. Prichard Memorial Fund
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Title: “Gainchie”, folio from the album, Fishes of India
Description:
At the center of the page is a long, narrow, lozenge-shaped fish.
It has a pointed snout and its dorsal and abdominal fins are near the end of the body cavity, next to the base of the tail.
Company School.
The page contains marks in pencil and ink above and below the fish.
The inscriptions identify the fish as Macrognathus pancalus, a barred spiny eel, which is a freshwater fish native to southern Asia.
The term “gainchie” has been erroneously inscribed on the paper; it refers to “Ganchi”, or Macrognathus aculeatus, the lesser spiny eel.
This work falls into the genre of natural history documentation, an important enterprise undertaken by many European patrons during their time in India.
This genre proliferated between the late eighteenth and early nineteenth century, and demonstrate the artist's intention of making quick studies from life.
Individual paintings were collected to form an album that documented a variety of animals and plants, thus acting, in a way, as a field guide.

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