Javascript must be enabled to continue!
Michael Mann
View through CrossRef
Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers.
In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck.
Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.
Title: Michael Mann
Description:
Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas.
In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story.
Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers.
In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature.
This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali.
A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck.
Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.
Related Results
Cinema of Michael Mann
Cinema of Michael Mann
Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter...
An Anatomy of Power
An Anatomy of Power
Michael Mann is one of the most influential sociologists of recent decades. His work has had a major impact in sociology, history, political science, international relations and ot...
Introduction
Introduction
This chapter provides an introduction to the book as a whole. It situates the approach undertaken here within the existing narratological debates on time, also discussing those spe...
The Salerno ivories
The Salerno ivories
Francesca Dell'Acqua, Medieval Ivories, 2016, Dietrich Reimer Verlag GmbH...
Der ungläubige Thomas
Der ungläubige Thomas
Im Winterhalbjahr 2009/10 führte das Thomas-Mann-Archiv der ETH Zürich zusammen mit den beiden evangelisch-reformierten Gemeinden Fraumünster und Großmünster in Zürich eine Vortrag...


