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Design 6 from the stage-play "Kindsterben"
View through The Met
Hand-colored lithograph, Bauhaus Drucke Neue Europaeische Graphik Portfolio 1:13
Bauhaus Drucke Neue Europaeische Graphik Portfolio 1:13, Drawings and Prints, Metropolitan Museum of Art New York NY, Bequest of Scofield Thayer 1982
Title: Design 6 from the stage-play "Kindsterben"
Description:
Hand-colored lithograph, Bauhaus Drucke Neue Europaeische Graphik Portfolio 1:13.
Related Results
Design 2 from the stage play "Kindsterben"
Design 2 from the stage play "Kindsterben"
Hand-colored lithograph, Bauhaus Drucke Neue Europaeische Graphik Portfolio 1:14...
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
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Fan with lithographic design, paper, made in France, ca. 1855. Fan made of paper with a coloured lithographic design. The sticks are of papier mache, black with formal gold rococo type scrolls surrounding a floral spray enriched with tinted mother of pear
Fan with lithographic design, paper, made in France, ca. 1855. Fan made of paper with a coloured lithographic design. The sticks are of papier mache, black with formal gold rococo type scrolls surrounding a floral spray enriched with tinted mother of pear
Fan with lithographic design, paper, made in France, ca. 1855. Fan made of paper with a coloured lithographic design. The sticks are of papier mache, black with formal gold rococo ...
Design for an embroidered bag, ca.1836-1854, Sarah Bland (1810-1905). Pen and ink design, shorter at the top and scalloped into three parts at the bottom featuring abstract leaf shapes inside the design. Pen and ink.
Design for an embroidered bag, ca.1836-1854, Sarah Bland (1810-1905). Pen and ink design, shorter at the top and scalloped into three parts at the bottom featuring abstract leaf shapes inside the design. Pen and ink.
Design for an embroidered bag, ca.1836-1854, Sarah Bland (1810-1905). Pen and ink design, shorter at the top and scalloped into three parts at the bottom featuring abstract leaf sh...
Stage design, 1st act, 4th scene “The Volsker knocking off the storm” to B. Brecht “Coriolan” at the Berlin ensemble with stage music by Paul Dessau (premiere 23 September 1964). Karl von Appen, 1964. Colours; 45.4 x 63.3 cm. Dresden: Copper stick cabinet
Stage design, 1st act, 4th scene “The Volsker knocking off the storm” to B. Brecht “Coriolan” at the Berlin ensemble with stage music by Paul Dessau (premiere 23 September 1964). Karl von Appen, 1964. Colours; 45.4 x 63.3 cm. Dresden: Copper stick cabinet
Stage design, 1st act, 4th scene “The Volsker knocking off the storm” to B. Brecht “Coriolan” at the Berlin ensemble with stage music by Paul Dessau (premiere 23 September 1964). K...