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Tres Mimi
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Jimmy Midjawmidjaw (1897-1985) was born on Croker Island, Northern Territory, and he lived some of the time there and the rest in Oenpelli. Midjawmidjaw belonged to the Mirarr clan and formed part of the Kuninkju linguistic group. He had a great deal of experience in ceremonial rituals. His first-known bark painting, done for the anthropologists Ronald and Catherine Berndt, date from 1947, although many of his paintings were collected in the 1960s by curators and collectors like Karel Kupka (1963) or Albert Folch and Eudald Serra (1964-1968). The themes of these paintings were ceremonial rites and witchcraft, with animal and spirit images, and ceremonial body-painting motifs that bore a strong relationship with the techniques used in cave painting. His works are currently exhibited in numerous galleries throughout Australia and museums all over the world.
Museum of Cultures of the World
Title: Tres Mimi
Description:
Jimmy Midjawmidjaw (1897-1985) was born on Croker Island, Northern Territory, and he lived some of the time there and the rest in Oenpelli.
Midjawmidjaw belonged to the Mirarr clan and formed part of the Kuninkju linguistic group.
He had a great deal of experience in ceremonial rituals.
His first-known bark painting, done for the anthropologists Ronald and Catherine Berndt, date from 1947, although many of his paintings were collected in the 1960s by curators and collectors like Karel Kupka (1963) or Albert Folch and Eudald Serra (1964-1968).
The themes of these paintings were ceremonial rites and witchcraft, with animal and spirit images, and ceremonial body-painting motifs that bore a strong relationship with the techniques used in cave painting.
His works are currently exhibited in numerous galleries throughout Australia and museums all over the world.
Related Results
Mimi, esperits de la feritilitat
Mimi, esperits de la feritilitat
The representation of spirits is one of the central themes of Aboriginal painting since, for the Indigenous Australians, natural phenomena are manifestations of the spirits. Some o...
Fessard, Etienne (Stecher), Huet, Christoph (Inventor), La constance, Portrait de Mimi a Madame de Pompadour, Dame du palais de 1758 la Reine - dog “Mimi” of the Madame de Pompadour, copper engraving; 25.6 x 29.2 cm (circumcised). Dresden: copper engravin
Fessard, Etienne (Stecher), Huet, Christoph (Inventor), La constance, Portrait de Mimi a Madame de Pompadour, Dame du palais de 1758 la Reine - dog “Mimi” of the Madame de Pompadour, copper engraving; 25.6 x 29.2 cm (circumcised). Dresden: copper engravin
Fessard, Etienne (Stecher), Huet, Christoph (Inventor), La constance, Portrait de Mimi a Madame de Pompadour, Dame du palais de 1758 la Reine - dog “Mimi” of the Madame de Pompadou...
Geometrical Elevation of a Side of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Da
Geometrical Elevation of a Side of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Da
Etching and engraving, Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand Très-Haut Très-Puissant et Très-Excellent Prince Louis XV le Bien-Aimé Roi de Franc...
Plan of the Ceiling and Base of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame
Plan of the Ceiling and Base of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame
Etching and engraving, Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand Très-Haut Très-Puissant et Très-Excellent Prince Louis XV le Bien-Aimé Roi de Franc...
Lateral Cut-Away of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame
Lateral Cut-Away of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame
Etching and engraving, Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand Très-Haut Très-Puissant et Très-Excellent Prince Louis XV le Bien-Aimé Roi de Franc...
Pyramidal Portal to the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame
Pyramidal Portal to the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame
Etching and engraving, Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand Très-Haut Très-Puissant et Très-Excellent Prince Louis XV le Bien-Aimé Roi de Franc...
Vignette with Portrait of Louis XV in profile on a medallion with death at lower left attempting to cover the coin and a winged genius at right, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Ex
Vignette with Portrait of Louis XV in profile on a medallion with death at lower left attempting to cover the coin and a winged genius at right, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Ex
Etching and engraving; fourth state of four (Bocher), Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand Très-Haut Très-Puissant et Très-Excellent Prince Louis...
Poster of the musical performance "Vocal Art - Yuli Karagouni Soprano -Yoon Bo Ra Piano" at the Thessaloniki Concert Hall
Poster of the musical performance "Vocal Art - Yuli Karagouni Soprano -Yoon Bo Ra Piano" at the Thessaloniki Concert Hall
Part I
G. Puccini: Oh mio babbino caro
Lauretta's aria from the opera Gianni Schicchi
G. Puccini: Si, mi chiamano Mimi
Mimi's aria from the op...

