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On the Other Side of the Icon: Making Images and Restaging Celebrity Spectacle in Anna Nicole

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In Chapter Two, Kimberly Lamm analyzes Anna Nicole and discusses Harron’s approach to Lifetime network’s house-style. Lamm explores how the filmmaker embraces the challenges and restrictions of directing a television movie. Building on Loreck’s examination of fame in Harron’s feature debut, Lamm argues that Anna Nicole is ostensibly a reflection on the convergence of mass culture and femininity that produce problematic images of female celebrities. Finally, the chapter regards the film as a significant work in Harron’s oeuvre that challenges the sexist practices of the film industry.
Title: On the Other Side of the Icon: Making Images and Restaging Celebrity Spectacle in Anna Nicole
Description:
In Chapter Two, Kimberly Lamm analyzes Anna Nicole and discusses Harron’s approach to Lifetime network’s house-style.
Lamm explores how the filmmaker embraces the challenges and restrictions of directing a television movie.
Building on Loreck’s examination of fame in Harron’s feature debut, Lamm argues that Anna Nicole is ostensibly a reflection on the convergence of mass culture and femininity that produce problematic images of female celebrities.
Finally, the chapter regards the film as a significant work in Harron’s oeuvre that challenges the sexist practices of the film industry.

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