Henrik Ibsen, 'A Doll’s House'. Adapted by Lally Katz and directed by Steven Mitchell Wright. La Boite Theatre, September 2014

For 13 years, from 1851 to 1864, Ibsen worked full time at the Norwegian theatres in Bergen and Christiania (Oslo) as a stage director and theatre manager. Ibsen’s period in the th...

Frank Lloyd Wright (b. 1867–d. 1959) was perhaps the most well-known American architect, and one of the most important figures in modern architecture of the 20th century. After app...

Epiphanic Transformations: Lou AndreasSalome's Reading of Nora, Rebecca and Ellida LORRAINE MARKOTlC It is now we1l over a hundred years since the publication of Lou AndreasSalome'...

ABSTRACT This article gives evidence for considering the vaudeville genre as a factor that complicates our received understanding of the plays of Norwegian dramatist...

Abstract Eleanor Marx-Aveling, Karl Marx’s third daughter, was a translator of literary and political texts, as well as a political activist. Intertextual refer...

Summary. The article gives an overview of the emergence of postmodern aesthetics in the Estonian theatre and the response it received in the theatre discourse during the transition...

Our occasional series on early Marxist theatre criticism – which has already included Trotsky on Wedekind in NTQ28, Lunacharsky on Ibsen in NTQ39, and Mehring on Hauptmann in NTQ 4...

Henrik Ibsen is Norway’s most important writer and one of the most influential dramatists of the second half of the nineteenth century. His dramatic production has left a deep mark...