Introduction

Why do certain individuals become martyrs, heroes, villains, and commercialized symbols? What meanings do transnational icons have for diverse audiences? What can the popular attraction to these figures tell us about both the global past and contemporary cultural politics? This book seeks to answer these questions by studying the history of popular attraction to iconic figures over the past fifty years, a period of significant global integration. It explores the transformation of individuals into idealized symbols and the circulation of those larger-than-life icons in mass culture. In the first instance this is a story of symbolic communication in a media age. In the second instance this is a book about the larger contexts of iconic resonance and the people that embrace icons. It is an inquiry into why so many people are drawn to iconic figures, how such figures condense larger ideals and desires, mirror and affect popular sentiments, and gain or lose meaning. By considering the resonances of four very different figures across the globe over several decades, Icons of Dissent seeks to shed new light on the transnational factors and historical contingencies that define icons.