Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Introduction: The Restless Social Vision of Jesmyn Ward

View through CrossRef
This introduction begins with a close reading of Ward’s 2020 Vanity Fair essay ‘On Witness and Respair: A Personal Tragedy Followed by a Pandemic’, to highlight the qualities that make Ward’s voice and work so compelling and important. We characterise this voice as restless and searching, pointing out that while there are clearly features that bind her novels, memoir, and essays together, their very different genre codings and stylistic features distinguish each of these writings. We discuss the key social, political and cultural contexts and contemporary theoretical paradigms related to Ward’s writing and conclude with some commentary on Men We Reaped and Sing, Unburied, Sing, that draws these together before finally outlining the book’s chapters.
Title: Introduction: The Restless Social Vision of Jesmyn Ward
Description:
This introduction begins with a close reading of Ward’s 2020 Vanity Fair essay ‘On Witness and Respair: A Personal Tragedy Followed by a Pandemic’, to highlight the qualities that make Ward’s voice and work so compelling and important.
We characterise this voice as restless and searching, pointing out that while there are clearly features that bind her novels, memoir, and essays together, their very different genre codings and stylistic features distinguish each of these writings.
We discuss the key social, political and cultural contexts and contemporary theoretical paradigms related to Ward’s writing and conclude with some commentary on Men We Reaped and Sing, Unburied, Sing, that draws these together before finally outlining the book’s chapters.

Related Results

Pilgrimages to the Past in Jesmyn Ward and Toni Morrison
Pilgrimages to the Past in Jesmyn Ward and Toni Morrison
This chapter offers a comparative analysis of Jesmyn Ward’s, Sing, Unburied, Sing (2017) and Toni Morrison’s, Song of Solomon (1977). It focusses on the journeys of their Black mal...
Ghosts in Mississippi: Jesmyn Ward’s Sing, Unburied, Sing
Ghosts in Mississippi: Jesmyn Ward’s Sing, Unburied, Sing
This chapter examines the corporeal legacies of Jesmyn Ward’s third novel Sing, Unburied, Sing (2017). Like her other writings, it reaches into US (southern) history and memory to ...
Depth-aware salient object segmentation
Depth-aware salient object segmentation
Object segmentation is an important task which is widely employed in many computer vision applications such as object detection, tracking, recognition, and ret...
Vision-specific and psychosocial impacts of low vision among patients with low vision at the eastern regional Low Vision Centre
Vision-specific and psychosocial impacts of low vision among patients with low vision at the eastern regional Low Vision Centre
Purpose: To determine vision-specific and psychosocial implications of low vision among patients with low vision visiting the Low Vision Centre of the Eastern Regional Hospital in ...
Clostridium Difficile in Urology
Clostridium Difficile in Urology
INTRODUCTION The objective was to determine the incidence of Clostridium difficile infection in a UK urology ward from 2000 to 2005, and correlate and compare the data with other s...
‘The most beautiful song’: Jesmyn Ward and Diasporic Recognition
‘The most beautiful song’: Jesmyn Ward and Diasporic Recognition
This Afterword closes the collection by considering the local and the global – and perhaps most importantly, their interrelationships – in Ward’s work. It revisits ‘On Witness and ...
Bois Sauvage as Biotope in the Novels of Jesmyn Ward
Bois Sauvage as Biotope in the Novels of Jesmyn Ward
This chapter focuses on the depiction of place in Ward’s first three novels, Where the Line Bleeds (2008), Salvage the Bones (2011), and Sing, Unburied, Sing (2017). It reads her d...

Back to Top