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Federico Luger, Flowers (2016)
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Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one on the top left with purple and yellow flowers; one below it with pink flo
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one on the top left with purple and yellow flowers; one below it with pink flo
Embroidery design for slippers with flowers ca. 1836-1854, by Sarah Bland (1810-1905). Embroidery design on graph paper for slippers featuring flowers. There are three bunches: one...
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other
Cope of crimson velvet, figured with large and small flowers in gold thread and coloured silks, and other smaller flowers in green and white, Florence, 1425. Crimson velvet, figure...
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes alternately red, containing a stem of small blue flowers, and parti-coloure
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes alternately red, containing a stem of small blue flowers, and parti-coloure
Woven shawl with a ground of silk and wool, probably made in Paisley, Scotland, 1825-1830. Woven shawl with a ground of white silk and wool. With a pattern of decked-edged stripes ...
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and green chenille and coloured silks. There are small coloured sprigs between e
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and green chenille and coloured silks. There are small coloured sprigs between e
Pair of skirt panels of brocaded satin with chenille and coloured silks, Spitalfields, London, ca. 1800. Pair of skirt panels made of white satin brocaded with flowers in red and g...
Roses in a Vase
Roses in a Vase
Flowers are everywhere in Renoir’s paintings, whether as part of the landscape or as a decorative element—for example, gracing a lady’s hat—and they continue the centuries-long tra...
Long apron of muslin embroidered with cotton, England, 1725-1750. Long apron of white muslin embroidered with white cotton in darning, running, double-running and stem stitches with eyelet holes and large areas of pulled fabric work in a variety of geomet
Long apron of muslin embroidered with cotton, England, 1725-1750. Long apron of white muslin embroidered with white cotton in darning, running, double-running and stem stitches with eyelet holes and large areas of pulled fabric work in a variety of geomet
Long apron of muslin embroidered with cotton, England, 1725-1750. Long apron of white muslin embroidered with white cotton in darning, running, double-running and stem stitches wit...
Gown of brocaded satin in coloured silks, designed by Anna Maria Garthwaite, woven in Spitalfields, 1740s and altered in 1780s. Gown of brocaded oyster coloured satin in coloured silks. Two large sprays flowers fill the width of the repeat, linked by upwa
Gown of brocaded satin in coloured silks, designed by Anna Maria Garthwaite, woven in Spitalfields, 1740s and altered in 1780s. Gown of brocaded oyster coloured satin in coloured silks. Two large sprays flowers fill the width of the repeat, linked by upwa
Gown of brocaded satin in coloured silks, designed by Anna Maria Garthwaite, woven in Spitalfields, 1740s and altered in 1780s. Gown of brocaded oyster coloured satin in coloured s...
Jules David and Bonnard. Day dress and ball gown by Mme Judenne, Paris, bonnet by Mme E. Bayol. Hairstyle by Sergent Fils. Shawl from Persan. Hand-coloured engraving from Le Moniteur de la Mode, Paris, late 1850s. Two women in an interior. On the left, s
Jules David and Bonnard. Day dress and ball gown by Mme Judenne, Paris, bonnet by Mme E. Bayol. Hairstyle by Sergent Fils. Shawl from Persan. Hand-coloured engraving from Le Moniteur de la Mode, Paris, late 1850s. Two women in an interior. On the left, s
Jules David and Bonnard. Day dress and ball gown by Mme Judenne, Paris, bonnet by Mme E. Bayol. Hairstyle by Sergent Fils. Shawl from Persan. Hand-coloured engraving from Le Monit...