Paintings on marble. Exhibition at Matthew Marks Gallery, from May 8 through June 27, 2004

‘The artwork is no longer the integral part of the exhibition; to curate an exhibition is to curate an experience.’ Bridging the gap between curatorial practices ...

Recognized as a masterly commentary when it first appeared, Frederick Dale Bruner’s study of Matthew is now available as a greatly revised and expanded two-volume work – the result...

This chapter explores Matthew’s book collection, showing how the experience of developing libraries in Oxford and Bristol shaped his own book collecting. Rare Frankfurt book catalo...

Abstract During the last decades, non-traditional marks have found their way into trademark registers worldwide. Against this background, the time has come to take s...

This chapter explores how the forces holding the Jacobean Church—Matthew’s broad-based conformity—were shattered by the increasing power of Laudian clerics, while his anti-Catholic...

Metis : On the Surface is an exhibition of seven projects that range from installations to large urban restructuring proposals. The exhibition and the projects are by Metis, an ate...

Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions through an array of sound making works ...

What was the original purpose of the Gospel of Matthew? For whom was it written? In this magisterial two-volume commentary, Walter Wilson interprets Matthew as a catechetical work ...