Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Spanish Meta-Art and Contemporary Cinema
View through CrossRef
Can cinema reveal its audience’s most subversive thinking? Do films have the potential to project their viewers’ innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes’ Don Quixote, Diego Velázquez’ Las meninas and Luis Buñuel’s Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.
Title: Spanish Meta-Art and Contemporary Cinema
Description:
Can cinema reveal its audience’s most subversive thinking? Do films have the potential to project their viewers’ innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power to unveil to the spectator their own hidden thoughts.
It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen.
Framed around critical readings of Miguel de Cervantes’ Don Quixote, Diego Velázquez’ Las meninas and Luis Buñuel’s Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators.
It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.
Related Results
The Cinema of Manoel de Oliveira
The Cinema of Manoel de Oliveira
Manoel de Oliveira is the only filmmaker whose career spans from the silent era to the digital age, and yet there is little written in English about his extensive filmography. This...
Portugal’s Global Cinema
Portugal’s Global Cinema
“Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country’s size belies its cultural impact. From the prestige of directo...
The Spanish Pacific, 1521-1815
The Spanish Pacific, 1521-1815
The Spanish Pacific designates the space Spain colonized or aspired to rule in Asia between 1521 -- with the arrival of Ferdinand Magellan -- and 1815 -- the end of the Manila-Acap...
Contemporary Directors’ Cinema
Contemporary Directors’ Cinema
Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism. The book identifies what makes nine recent films ...
“Our Place”
“Our Place”
This chapter examines the role of film and cinema as a force in women's lives by focusing on women as cinema audiences. More specifically, it considers the experiences of a modern-...
Historical Dictionary of Scandinavian Cinema
Historical Dictionary of Scandinavian Cinema
Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best k...
Critical Approaches to African Cinema Discourse
Critical Approaches to African Cinema Discourse
Critical Approaches to African Cinema Discourse utilizes an interdisciplinary approach to lay bare the diversity and essence of African cinema discourse. It is an anthology of hist...
Images of Europe, European Images: Postwar European Cinema and Television Culture
Images of Europe, European Images: Postwar European Cinema and Television Culture
The audio-visual culture of Europe right after 1945 was a culture in ashes in a Europe soon to be divided into east and west under the Cold War. It was a Europe where nation-states...