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On the biography of Vladimir Gippius
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The paper provides archival and little-known materials that extend
the information on the early period of Vladimir Gippius’ biography. In letters to his
acquaintance, Matilda Menzel, he shares his thoughts on A.M. Dobrolyubov, on
his first book, talks about studying at the university. In addition to personal letters,
documents concerning Gippius’ service in the Department of Spiritual Affairs and
university period are introduced into scientific circulation, facts about his first marriage
are reported. The information presented in the paper is also important because Gippius
placed all the facts of his personal biography in the broad perspective of Russian
Decadence and Symbolism, creating his own autobiographical myth, which was
determined by the following main stages: overcoming Decadence, then returning to
decadence, the path from unbelief to faith, from “reaction” to “revolution”. Materials
of Gippius’ personal fund in the Pushkin House, as well as to his service documents
(RGIA) allow to clarify, correct and supplement the known facts of his biography.
They also partly shed light on the internal plot of this biographical canvas — relations
with A.M. Dobrolyubov, Gippius' departure from Decadence, which occurred largely
under the influence of the Merezhkovskys.
A. M. Gorky Institute of World Literature of the Russian Academy of Sciences
Title: On the biography of Vladimir Gippius
Description:
The paper provides archival and little-known materials that extend
the information on the early period of Vladimir Gippius’ biography.
In letters to his
acquaintance, Matilda Menzel, he shares his thoughts on A.
M.
Dobrolyubov, on
his first book, talks about studying at the university.
In addition to personal letters,
documents concerning Gippius’ service in the Department of Spiritual Affairs and
university period are introduced into scientific circulation, facts about his first marriage
are reported.
The information presented in the paper is also important because Gippius
placed all the facts of his personal biography in the broad perspective of Russian
Decadence and Symbolism, creating his own autobiographical myth, which was
determined by the following main stages: overcoming Decadence, then returning to
decadence, the path from unbelief to faith, from “reaction” to “revolution”.
Materials
of Gippius’ personal fund in the Pushkin House, as well as to his service documents
(RGIA) allow to clarify, correct and supplement the known facts of his biography.
They also partly shed light on the internal plot of this biographical canvas — relations
with A.
M.
Dobrolyubov, Gippius' departure from Decadence, which occurred largely
under the influence of the Merezhkovskys.
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