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NEORELISM IN THE ART OF CHINA (BASED ON THE EXAMPLE OF THE WORK OF XIN DUNG-WANG, LUO ZHONGLI AND CHEN DANQING)

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Неореалистическое направление в китайской масляной живописи прочно закрепилось в истории современного искусства. Творчество представителей неореалистического течения Синь Дунвана1, Луо Чжунли2 и Чен Данцина3 не сводимо к единому стилю, но отличается своеобразием индивидуального почерка, который синтезировал в себе наследие социалистического канона Советского Союза и традиционной живописи Китая. Картины живописцев раскрывают острые социальные проблемы сельских жителей Китая. The neorealist movement in Chinese oil painting is fi rmly entrenched in the history of modern art. The work of representatives of the neorealist movement Xin Dongwang, Luo Zhongli and Chen Danqing is not reducible to a single style, but is distinguished by the originality of individual style, which synthesized the heritage of the socialist canon of the Soviet Union and traditional painting of China. The paintings of the painters reveal the acute social problems of rural residents of China.
Title: NEORELISM IN THE ART OF CHINA (BASED ON THE EXAMPLE OF THE WORK OF XIN DUNG-WANG, LUO ZHONGLI AND CHEN DANQING)
Description:
Неореалистическое направление в китайской масляной живописи прочно закрепилось в истории современного искусства.
Творчество представителей неореалистического течения Синь Дунвана1, Луо Чжунли2 и Чен Данцина3 не сводимо к единому стилю, но отличается своеобразием индивидуального почерка, который синтезировал в себе наследие социалистического канона Советского Союза и традиционной живописи Китая.
Картины живописцев раскрывают острые социальные проблемы сельских жителей Китая.
The neorealist movement in Chinese oil painting is fi rmly entrenched in the history of modern art.
The work of representatives of the neorealist movement Xin Dongwang, Luo Zhongli and Chen Danqing is not reducible to a single style, but is distinguished by the originality of individual style, which synthesized the heritage of the socialist canon of the Soviet Union and traditional painting of China.
The paintings of the painters reveal the acute social problems of rural residents of China.

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