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Pocket with a guard

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Boett of gold with miniature portraits and jargons, dial of enamel, works with so-called spider walkway. Engraved decoration against the bottom of the punched. Bottom shell convex. In the middle, a standing oval disc of cover enamel with convex outside, showing in sepia colour against a blue background a lady in a chest image, facing right, head in profile to right, set hair with high diadem and two large neck braids, loosely twisted and descending on her shoulders, and in wedge-shaped dresses. The disc within a narrow frame of thirty-nine jargons in the making of silver with an incant in the faden and outer edge off. Up to a two-eared strip of silver, littered with thirteen stones like the aforementioned and in similar conceptions. On the bottom shell outside the nave an engraved stripe with leaves against the punched bottom; the outer edge with three narrow stretchers, a smooth between two engraved, the inner slashed, the outer with two loose twisted strings against finely striated bottom. Glass frame wide, in this strongly convex glass with slightly concave center; the frame in decor as the outer stretcher on the outer edge of the bottom shell. Calling the upper edge a line of sixty-nine jargons (two missing) in beliefs like the former. Calling the upper edge of the bottom shell and the lower edge of the glass frame a obliquely exposed wavy cunning, which moldings together form a sharply bought back. The glass frame with the charner at the left edge, at the opposite a clasp with a tuft of a jargon on on the bottom shell, made in the rim of silver; on the glass frame a knoppy nail bracket of gold. Bygel lying oval, with flat inside and profiled outside. The bracket in the shape of a round post with a bud shaped flat upper end. Dial white, with black Roman hourly and Arabic minute numbers, read from within, the latter indicated at each hourly digit, between these a jargon in millegriffes - pin (thousand chorus) of silver; between the digit rings within two fine lines with a dash at each hourly digit, inside the hourly digits a fine line; between the numbers l and ll a hole for the feather pin. Time-sellers of silver (a minute sage is missing), broken through, with arc ornaments, starting a short tip, around the pile a fivefold ring; ornaments and ring studded with eight jargons together (one missing) in decked coils and foiled. Work with a round oroklove made of gilded brass, broken through, with four leaf arches; in the middle a small round steel disc with a cracked wedge-shaped tab attached with a blue-striped screw. Ruckartavla of silver, in the middle an engraved eight-audited star against the punched bottom, in view of the smooth bottom a division of three-lobed leaves and the letters A and R (Avance and Retard); around the outer edge a division of streaks. The work with the charner at the upper edge, at the opposite a spring hook with a nail print at the edge. Protective Boat: Of gilded bronze. Ground shell of convex glass. Outer edge and glass frame of gilded bronze, profiled, with the charner at the left edge, at the opposite in both a knoppy nail mount.
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Title: Pocket with a guard
Description:
Boett of gold with miniature portraits and jargons, dial of enamel, works with so-called spider walkway.
Engraved decoration against the bottom of the punched.
Bottom shell convex.
In the middle, a standing oval disc of cover enamel with convex outside, showing in sepia colour against a blue background a lady in a chest image, facing right, head in profile to right, set hair with high diadem and two large neck braids, loosely twisted and descending on her shoulders, and in wedge-shaped dresses.
The disc within a narrow frame of thirty-nine jargons in the making of silver with an incant in the faden and outer edge off.
Up to a two-eared strip of silver, littered with thirteen stones like the aforementioned and in similar conceptions.
On the bottom shell outside the nave an engraved stripe with leaves against the punched bottom; the outer edge with three narrow stretchers, a smooth between two engraved, the inner slashed, the outer with two loose twisted strings against finely striated bottom.
Glass frame wide, in this strongly convex glass with slightly concave center; the frame in decor as the outer stretcher on the outer edge of the bottom shell.
Calling the upper edge a line of sixty-nine jargons (two missing) in beliefs like the former.
Calling the upper edge of the bottom shell and the lower edge of the glass frame a obliquely exposed wavy cunning, which moldings together form a sharply bought back.
The glass frame with the charner at the left edge, at the opposite a clasp with a tuft of a jargon on on the bottom shell, made in the rim of silver; on the glass frame a knoppy nail bracket of gold.
Bygel lying oval, with flat inside and profiled outside.
The bracket in the shape of a round post with a bud shaped flat upper end.
Dial white, with black Roman hourly and Arabic minute numbers, read from within, the latter indicated at each hourly digit, between these a jargon in millegriffes - pin (thousand chorus) of silver; between the digit rings within two fine lines with a dash at each hourly digit, inside the hourly digits a fine line; between the numbers l and ll a hole for the feather pin.
Time-sellers of silver (a minute sage is missing), broken through, with arc ornaments, starting a short tip, around the pile a fivefold ring; ornaments and ring studded with eight jargons together (one missing) in decked coils and foiled.
Work with a round oroklove made of gilded brass, broken through, with four leaf arches; in the middle a small round steel disc with a cracked wedge-shaped tab attached with a blue-striped screw.
Ruckartavla of silver, in the middle an engraved eight-audited star against the punched bottom, in view of the smooth bottom a division of three-lobed leaves and the letters A and R (Avance and Retard); around the outer edge a division of streaks.
The work with the charner at the upper edge, at the opposite a spring hook with a nail print at the edge.
Protective Boat: Of gilded bronze.
Ground shell of convex glass.
Outer edge and glass frame of gilded bronze, profiled, with the charner at the left edge, at the opposite in both a knoppy nail mount.

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