Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Media, Criminology, and Criminal Justice

View through CrossRef
In the 1840s, cheap mass-marketed newspapers raised the relationship among the media, crime, and criminal justice to a new level. The intervening history has only strengthened the bonds, and comprehending the nature of the media, crime, and justice relationship has become necessary for understanding contemporary crime and criminal justice policies. The backward law of media crime and criminal justice content, where the rarest real-world events become the most common media content, continues to operate. In the 21st century, the media present backward snapshots of crime and justice in dramatic, reshaped, and marketed narrow slices of the world. Media portraits emphasize rare crimes like homicide, rare courtroom procedures like trials, rare forensic evidence, and rare correctional events like riots and escapes to present a heavily skewed, unrealistic picture. Significantly exacerbating this long-term tendency are new social media. When the evolution of the media is examined, the trend has been toward the creation of a mediated experience that is indistinguishable from a real-world experience. Each step in the evolution of media brought the mediated experience and the actual personally experienced event closer. The world today is the most media-immersed age in history. The shift to new social media from the legacy media of the 20th century was a crucial turning point. The emergence of social media platforms has sped up what had been a slow evolutionary process. The technological ability of media to gather, recycle, and disseminate information has never been faster, and more crime-related media content is available to more people via more venues and in more formats than ever before. In this new mediated world, everyone is wedded to media in some fashion. Whether through the Internet, television, movies, music, video games, or multipurpose social media devices, exposure to media content is ubiquitous. Media provide a broadly shared, common knowledge of society that is independent of occupation, education, ethnicity, and social class. The cumulative result of this ongoing media evolution is that society has become a multimedia environment where content, particularly images, is ubiquitous in the media. Mediated events blot out actual ones, so that media renditions often supplant and conflict with what actually happened. This trend is particularly powerful in crime and justice, where news, entertainment, and advertising combine with new media to construct a largely unchallenged mediated crime and criminal justice reality. The most significant result is that, in this mediated reality, criminal justice policies are generated. What we believe about criminal justice and what we think ought to be done about crime are based on content that has been parsed, filtered, recast, and refined through electronic, digital, visually dominated, multimedia entities. Ironically, while the media are geared toward narrowcasting and the targeting of small, homogenous audiences, media content is constantly reformatted and looped to ultimately reach wide, multiple, and varied audiences. In the end, the media’s criminal justice role cannot be ignored. Until the linkages between media, crime, and justice are acknowledged and better understood, myopic and punitive criminal justice policies will be the norm.
Title: Media, Criminology, and Criminal Justice
Description:
In the 1840s, cheap mass-marketed newspapers raised the relationship among the media, crime, and criminal justice to a new level.
The intervening history has only strengthened the bonds, and comprehending the nature of the media, crime, and justice relationship has become necessary for understanding contemporary crime and criminal justice policies.
The backward law of media crime and criminal justice content, where the rarest real-world events become the most common media content, continues to operate.
In the 21st century, the media present backward snapshots of crime and justice in dramatic, reshaped, and marketed narrow slices of the world.
Media portraits emphasize rare crimes like homicide, rare courtroom procedures like trials, rare forensic evidence, and rare correctional events like riots and escapes to present a heavily skewed, unrealistic picture.
Significantly exacerbating this long-term tendency are new social media.
When the evolution of the media is examined, the trend has been toward the creation of a mediated experience that is indistinguishable from a real-world experience.
Each step in the evolution of media brought the mediated experience and the actual personally experienced event closer.
The world today is the most media-immersed age in history.
The shift to new social media from the legacy media of the 20th century was a crucial turning point.
The emergence of social media platforms has sped up what had been a slow evolutionary process.
The technological ability of media to gather, recycle, and disseminate information has never been faster, and more crime-related media content is available to more people via more venues and in more formats than ever before.
In this new mediated world, everyone is wedded to media in some fashion.
Whether through the Internet, television, movies, music, video games, or multipurpose social media devices, exposure to media content is ubiquitous.
Media provide a broadly shared, common knowledge of society that is independent of occupation, education, ethnicity, and social class.
The cumulative result of this ongoing media evolution is that society has become a multimedia environment where content, particularly images, is ubiquitous in the media.
Mediated events blot out actual ones, so that media renditions often supplant and conflict with what actually happened.
This trend is particularly powerful in crime and justice, where news, entertainment, and advertising combine with new media to construct a largely unchallenged mediated crime and criminal justice reality.
The most significant result is that, in this mediated reality, criminal justice policies are generated.
What we believe about criminal justice and what we think ought to be done about crime are based on content that has been parsed, filtered, recast, and refined through electronic, digital, visually dominated, multimedia entities.
Ironically, while the media are geared toward narrowcasting and the targeting of small, homogenous audiences, media content is constantly reformatted and looped to ultimately reach wide, multiple, and varied audiences.
In the end, the media’s criminal justice role cannot be ignored.
Until the linkages between media, crime, and justice are acknowledged and better understood, myopic and punitive criminal justice policies will be the norm.

Related Results

Popular Criminology
Popular Criminology
Popular criminology is a theoretical and conceptual approach within the field of criminology that is used to interrogate popular understandings of crime and criminal justice. In th...
Identity of the Perpetrator in the Context of Modernization of Theory and Practice Counteracting Criminality
Identity of the Perpetrator in the Context of Modernization of Theory and Practice Counteracting Criminality
The development of criminology in the conditions of globalization and the growth of social conflicts, forced to look for effective methods of resolving complex criminological proble...
Queering Criminology Globally
Queering Criminology Globally
Queer criminology is an emerging field of research addressing significant oversights within the disciplines of criminology and criminal justice studies—namely the limited attention...
Keadilan Restoratif: Upaya Menemukan Keadilan Substantif?
Keadilan Restoratif: Upaya Menemukan Keadilan Substantif?
Substantive justice is an idea of justice that seeks to present it comprehensively and completely in society. Substantive justice in this case does not only interpret the law as li...
Moral Truth and Criminology: Back to Its Classical Roots
Moral Truth and Criminology: Back to Its Classical Roots
This paper argues for the relevance of classical criminology for addressing contemporary problems of the criminal justice system. Despite many fundamental differences in political ...
International Cultural Criminology
International Cultural Criminology
Cultural criminology places crime and its control within the realm of culture. Namely, it sees crime and crime control as social constructs or as cultural products; that is, their ...
Conservation Criminology, Environmental Crime, and Risk
Conservation Criminology, Environmental Crime, and Risk
AbstractConservation criminology emerges from the environmental movement and the development of green criminology as a subfield within criminology. Conservation criminology builds ...
Visuality and Criminology
Visuality and Criminology
There can be no doubt that criminology has taken something of a visual turn, as evidenced by increasing numbers of articles, conference panels, edited volumes, monographs, and semi...

Back to Top