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Covered reliquary jar and stand

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Buddhist reliquary consisting of three parts: pedestal stand, jar, and lid. The lower portion of the stand is bell-shaped, with sides flaring outward toward the flat base and constricting inward at top; a bowl-like receptacle with edges in the form of lotus petals crowns the top of the hollow stand; molded floral appliques and traces of floral designs painted in black pigment encircle the pedestal base; heads of makara creatures bearing pearls in their mouths encircle the join between pedestal and receptacle. The ovoid jar has broad, rounded shoulders, sides tapering inward to a flat base, short neck, and flat, everted rim; two incised horizontal lines encircle the jar along the shoulders and form a band that encloses four molded lion-head appliques. The circular lid is steeply domed and bears a stupa-form finial. All three are white earthenware with traces of orange pigment; one of the lion heads has an accidental spot of bright green glaze.
Department of Asian Art [Christian Boehm Oriental Art London 2000] sold; to Walter C. Sedgwick Foundation Woodside CA (2000-2006) partial gift; to Harvard University Art Museums 2006. Harvard Art Museums/Arthur M. Sackler Museum Partial gift of the Walter C. Sedgwick Foundation and partial purchase through the Alpheus Hyatt Purchasing Fund
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Title: Covered reliquary jar and stand
Description:
Buddhist reliquary consisting of three parts: pedestal stand, jar, and lid.
The lower portion of the stand is bell-shaped, with sides flaring outward toward the flat base and constricting inward at top; a bowl-like receptacle with edges in the form of lotus petals crowns the top of the hollow stand; molded floral appliques and traces of floral designs painted in black pigment encircle the pedestal base; heads of makara creatures bearing pearls in their mouths encircle the join between pedestal and receptacle.
The ovoid jar has broad, rounded shoulders, sides tapering inward to a flat base, short neck, and flat, everted rim; two incised horizontal lines encircle the jar along the shoulders and form a band that encloses four molded lion-head appliques.
The circular lid is steeply domed and bears a stupa-form finial.
All three are white earthenware with traces of orange pigment; one of the lion heads has an accidental spot of bright green glaze.

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