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Science of perception for design: the view of Walter Gropius

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Abstract This paper discusses the theories underlying Walter Gropius’ conception of science. Starting with “Is There a Science of Design?” written by Gropius in 1947, the influences of Ganzheitspsychologie and the New Look on Perception are traced. In particular, the contribution of Earl C. Kelley is analyzed. Subsequently, Gropius’ phenomenological approach, insights on expressive qualities, and the relationship between man- environment are discussed. Finally, the influences of Gestalt theory and spiritualistic psychology on Gropius’s conception of science and perception are outlined.
Walter de Gruyter GmbH
Title: Science of perception for design: the view of Walter Gropius
Description:
Abstract This paper discusses the theories underlying Walter Gropius’ conception of science.
Starting with “Is There a Science of Design?” written by Gropius in 1947, the influences of Ganzheitspsychologie and the New Look on Perception are traced.
In particular, the contribution of Earl C.
Kelley is analyzed.
Subsequently, Gropius’ phenomenological approach, insights on expressive qualities, and the relationship between man- environment are discussed.
Finally, the influences of Gestalt theory and spiritualistic psychology on Gropius’s conception of science and perception are outlined.

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