Javascript must be enabled to continue!
The Cinematic Language of The Hurt Locker
View through CrossRef
This chapter begins with an epigraph, “What can you do with the camera that makes you feel like you're a participant?”, which was taken from the Pulitzer Prize-winning journalist Chris Hedges' book War is a Force that Gives Us Meaning. It points out that the epigraph was used in the opening of The Hurt Locker and considered one of the film's central thematic motifs and metaphor. It also looks at The Hurt Locker's very particular cinematic style that is described as both jagged and frenetic. The chapter discusses how The Hurt Locker was filmed in Jordan, a country which borders Iraq to the west and has a very similar architecture to Baghdad where the film is primarily set. It analyzes the cinematic language and narrative choices that lead towards understanding the character of William James as a masculine hero and a decisive man of action.
Title: The Cinematic Language of The Hurt Locker
Description:
This chapter begins with an epigraph, “What can you do with the camera that makes you feel like you're a participant?”, which was taken from the Pulitzer Prize-winning journalist Chris Hedges' book War is a Force that Gives Us Meaning.
It points out that the epigraph was used in the opening of The Hurt Locker and considered one of the film's central thematic motifs and metaphor.
It also looks at The Hurt Locker's very particular cinematic style that is described as both jagged and frenetic.
The chapter discusses how The Hurt Locker was filmed in Jordan, a country which borders Iraq to the west and has a very similar architecture to Baghdad where the film is primarily set.
It analyzes the cinematic language and narrative choices that lead towards understanding the character of William James as a masculine hero and a decisive man of action.
Related Results
Hubungan Perilaku Pola Makan dengan Kejadian Anak Obesitas
Hubungan Perilaku Pola Makan dengan Kejadian Anak Obesitas
<p><em><span style="font-size: 11.0pt; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-langua...
Interpreting The Politics of The Hurt Locker
Interpreting The Politics of The Hurt Locker
This chapter explores how the The Hurt Locker and other American films about the wars in Iraq and Afghanistan marginalises, distorts and erases the Iraqi and Afghanistani experienc...
Učinak poučavanja razrednomu jeziku u izobrazbi nastavnika njemačkoga
Učinak poučavanja razrednomu jeziku u izobrazbi nastavnika njemačkoga
The actual use of classroom language is principally limited to the classroom environment. As far as foreign language learning is concerned, the classroom often turns out to be the ...
Introduction
Introduction
This chapter analyzes the film The Hurt Locker, including its stylistic and narrative devices, cultural impact, reception, and relationship to the genre. It analyzes what The Hurt ...
The Hurt Locker: Cinematic Addiction, “Critique,” And the War on Terror
The Hurt Locker: Cinematic Addiction, “Critique,” And the War on Terror
The article approaches The Hurt Locker, an enthusiastically received “critical” film, as a symptom of today's prevailing cultural and political codes. First we dwell on the homolog...
Prostor doma u hrvatskim igranim filmovima s temom domovinskog rata
Prostor doma u hrvatskim igranim filmovima s temom domovinskog rata
The dissertation explores the formation of domestic space in contemporary Croatian society through its presentations in the medium of feature films. The cinematic domestic spaces a...
Fingerprint Bank Lock with Image Capture
Fingerprint Bank Lock with Image Capture
The fingerprint based bank locker system is an enhancement to the traditional bank locker system that uses keys.Now keys can easily be copied and made by theif’s who know about it....
Studying The Hurt Locker
Studying The Hurt Locker
This book, drawing on a broad tapestry of research, offers an exploration of The Hurt Locker (2009), its stylistic and narrative devices, its cultural impact, its reception, and it...

