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Nata Ragini, Preparatory Drawing for a Ragamala (Garland of Melodies) Series

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The Nata Ragini is commonly represented by a mounted soldier wielding a sword and confronting an enemy that is on foot. Typically, as depicted in this drawing, there is a slain soldier in the foreground. Here, the mounted solider holds his sword above his head as he gallops towards his opponent, who carriers a shield and a khanda, a type of sword native to India. This painting is a pictorial metaphor for a raga, a musical phrase used as the basis for improvisation. Interestingly, the musical mode for this ragini is feminine. While there are examples of this scene with a woman dressed as a warrior, more often, as we see here, it is a male figure. Such contradictions are common within the ragamala genre. Rajput, Rajasthani, Kota School.
Department of Islamic & Later Indian Art Stuart Cary Welch (by 1969 - 2008 ) by descent; to his estate (2008-2009 ) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969. Harvard Art Museums/Arthur M. Sackler Museum The Stuart Cary Welch Collection Gift of Edith I. Welch in memory of Stuart Cary Welch
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Title: Nata Ragini, Preparatory Drawing for a Ragamala (Garland of Melodies) Series
Description:
The Nata Ragini is commonly represented by a mounted soldier wielding a sword and confronting an enemy that is on foot.
Typically, as depicted in this drawing, there is a slain soldier in the foreground.
Here, the mounted solider holds his sword above his head as he gallops towards his opponent, who carriers a shield and a khanda, a type of sword native to India.
This painting is a pictorial metaphor for a raga, a musical phrase used as the basis for improvisation.
Interestingly, the musical mode for this ragini is feminine.
While there are examples of this scene with a woman dressed as a warrior, more often, as we see here, it is a male figure.
Such contradictions are common within the ragamala genre.
Rajput, Rajasthani, Kota School.

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