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Self-portrait of the Painter Husayn

View through Harvard Museums
A polylobed medallion in the center of this tile holds a bust-length portrait of a painter named Husayn, also known as Ustad Husayn Kashi Saz, a known master tilemaker at the end of the Qajar era in Tehran. Split-leaf scrolls fill the corners, and a fruiting grape vine runs along the cavetto of the cornice. Following the fashion of the late Qajar period, the artist wears a black astrakhan cap and a close-fitting frock coat with upstanding collar. He is at work on a painting whose composition closely echoes the tile itself. The tile is molded, with the split-leaf scrolls and medallion border raised in relief. The predominant color is purplish-brown, with touches of pale orange.
Department of Islamic & Later Indian Art Edwin Binney 3rd California (by 1986) bequest; to Harvard Art Museums 2017. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991 then at the Los Angeles County Museum of Art from 1991-2011. Harvard Art Museums/Arthur M. Sackler Museum The Edwin Binney 3rd Collection of Turkish Art at the Harvard Art Museums
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Title: Self-portrait of the Painter Husayn
Description:
A polylobed medallion in the center of this tile holds a bust-length portrait of a painter named Husayn, also known as Ustad Husayn Kashi Saz, a known master tilemaker at the end of the Qajar era in Tehran.
Split-leaf scrolls fill the corners, and a fruiting grape vine runs along the cavetto of the cornice.
Following the fashion of the late Qajar period, the artist wears a black astrakhan cap and a close-fitting frock coat with upstanding collar.
He is at work on a painting whose composition closely echoes the tile itself.
The tile is molded, with the split-leaf scrolls and medallion border raised in relief.
The predominant color is purplish-brown, with touches of pale orange.

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