O chłopcu, który chciał zostać nazistą. Obraz narodowego socjalizmu w filmie Jojo Rabbit w reżyserii Taiki Waititiego

The history of World War II and the Third Reich enjoy unfading interest of filmmakers who not only include certain threads of those historical realities into their productions but make them the theme determining a course of a story. The Jojo Rabbit film directed by Taika Waititi is without a doubt much more than just an interesting story of a boy who wanted to become a Nazi. Waititi (New Zealand based) painted a satirical and ambivalent picture of national socialism; this time around viewers could watch it from the perspective of a child imbued with this ideology. The plot of the film contains references to anti-Semitism, Aryan racial superiority and ways of controlling society. The viewer’s doubts may be raised by the fact that all these elements are presented in a satirical form. The aim of this study is not only the attempt to evaluate this picture with consideration to historical realities, but also a look into the choice of media used by the director.