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On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner
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Erik Vogt offers an important re-examination of Badiou’s critique of Rancière, on the basis of Wagner’s Die Meistersinger von Nürnberg. Vogt’s argument prioritizes the aesthetic regime as a way of doing, a radical erupting-within that, for Vogt is embodied in the figure of the cobbler as conduit.
Title: On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner
Description:
Erik Vogt offers an important re-examination of Badiou’s critique of Rancière, on the basis of Wagner’s Die Meistersinger von Nürnberg.
Vogt’s argument prioritizes the aesthetic regime as a way of doing, a radical erupting-within that, for Vogt is embodied in the figure of the cobbler as conduit.
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