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The Opening Set

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The book’s opening chapter takes the reader to the Piedra Roja rock music festival. It focuses on the voices and agency of those who gathered—many of them hippies—at that landmark event in Greater Santiago’s municipality of Las Condes during a three-day weekend in October 1970. One person in particular, Jorge Gómez Ainslie, is the chapter’s principal figure. His experiences and proclivities as a teenager point to why the festival happened, and the people and goings-on at Piedra Roja speak to the Chilean counterculture’s coalescence, attributes, and allure during the late sixties and early seventies.
University of North Carolina Press
Title: The Opening Set
Description:
The book’s opening chapter takes the reader to the Piedra Roja rock music festival.
It focuses on the voices and agency of those who gathered—many of them hippies—at that landmark event in Greater Santiago’s municipality of Las Condes during a three-day weekend in October 1970.
One person in particular, Jorge Gómez Ainslie, is the chapter’s principal figure.
His experiences and proclivities as a teenager point to why the festival happened, and the people and goings-on at Piedra Roja speak to the Chilean counterculture’s coalescence, attributes, and allure during the late sixties and early seventies.

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