Le paysage provençal et l'école de Marseille avant l'impressionisme, 1845-1874

Wilhelm Storck rechnete wohl nicht damit, dass seine Übersetzung der »Sämmtlichen Canzonen« des Camões in Portugal irgendwelche Aufmerksamkeit erfahren würde, als er im April 1874 ...

This chapter provides methods and models for thinking about avant-garde and experimental films and videos that incorporate popular music. It sketches the history of intersections b...

In his debut collection, Some Trees (1956), John Ashbery poses a question that resonates across his oeuvre and much modern art: “How could he explain to them his prayer / that natu...

Book 4 in the City|Speculations Series, documenting design-research work, observations on pedagogy and reflections on the city produced through a series of architectural design stu...