Javascript must be enabled to continue!
ReFocus: The Films of Andrei Tarkovsky
View through CrossRef
Despite an output of only 7 feature films in 20 years, Andrei Tarkovsky has had a profound influence on international cinema. Famous for their spiritual depth and incredible visual beauty, his films have gained cult status among cineastes and are often included in ranking polls and charts dedicated to the best movies ever made. Beginning with the late 1980s, Tarkovsky’s highly complex cinema has continuously attracted scholarly attention by generating countless hermeneutic challenges and possibilities for film critics. This book provides a fresh look at the director’s legacy, with critical essays by both world-famous and early-career film scholars. It consists of four parts covering biographical, aesthetic, and philosophical aspects of Tarkovsky’s work as well as tracing his influence on other filmmakers. Part one, entitled ‘Backgrounds’ (chapters one to three), discusses extra-cinematic factors that influenced Tarkovsky’s cinema, such as his biography and theoretical statements. Part two, entitled ‘Film Method’ (chapters four to eight), examines Tarkovsky’s cinematic techniques, including his treatment of film genre, documentary style, temporality, landscape, and sound. Part three, ‘Theoretical Approaches’ (chapters nine to thirteen), discusses Tarkovsky’s work in the contexts of psychoanalytical, philosophical, and other theoretical perspectives. The fourth and final part of this volume, ‘Legacy’ (chapters fourteen and fifteen), is dedicated to Tarkovsky’s longstanding influence on such prominent auteurs as Andrei Zvyagintsev and Lars von Trier, who are often hailed as the heirs of the Russian master.
Edinburgh University Press
Title: ReFocus: The Films of Andrei Tarkovsky
Description:
Despite an output of only 7 feature films in 20 years, Andrei Tarkovsky has had a profound influence on international cinema.
Famous for their spiritual depth and incredible visual beauty, his films have gained cult status among cineastes and are often included in ranking polls and charts dedicated to the best movies ever made.
Beginning with the late 1980s, Tarkovsky’s highly complex cinema has continuously attracted scholarly attention by generating countless hermeneutic challenges and possibilities for film critics.
This book provides a fresh look at the director’s legacy, with critical essays by both world-famous and early-career film scholars.
It consists of four parts covering biographical, aesthetic, and philosophical aspects of Tarkovsky’s work as well as tracing his influence on other filmmakers.
Part one, entitled ‘Backgrounds’ (chapters one to three), discusses extra-cinematic factors that influenced Tarkovsky’s cinema, such as his biography and theoretical statements.
Part two, entitled ‘Film Method’ (chapters four to eight), examines Tarkovsky’s cinematic techniques, including his treatment of film genre, documentary style, temporality, landscape, and sound.
Part three, ‘Theoretical Approaches’ (chapters nine to thirteen), discusses Tarkovsky’s work in the contexts of psychoanalytical, philosophical, and other theoretical perspectives.
The fourth and final part of this volume, ‘Legacy’ (chapters fourteen and fifteen), is dedicated to Tarkovsky’s longstanding influence on such prominent auteurs as Andrei Zvyagintsev and Lars von Trier, who are often hailed as the heirs of the Russian master.
Related Results
Andrei Tarkovsky
Andrei Tarkovsky
Andrei Tarkovsky (b. 1932–d. 1986) was the most important director in postwar Soviet art cinema and one of the most influential auteurs in world cinema of the 1960s–1980s. After co...
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his ...
Andrej Tarkovskij: Il cinema come preghiera (Andrei Tarkovsky: A Cinema Prayer), Andrei A. Tarkovsky (dir.) (2019), Italy: Andrei Tarkovsky International Institute, Klepatski Production, Hobab and Revolver
Andrej Tarkovskij: Il cinema come preghiera (Andrei Tarkovsky: A Cinema Prayer), Andrei A. Tarkovsky (dir.) (2019), Italy: Andrei Tarkovsky International Institute, Klepatski Production, Hobab and Revolver
Review of: Andrej Tarkovskij: Il cinema come preghiera (Andrei Tarkovsky: A Cinema Prayer), Andrei A. Tarkovsky (dir.) (2019), Italy: Andrei Tarkovsky International Institute, Klep...
Approaching the Irreal: Realistic Sound Design in Andrei Tarkovsky’s Films
Approaching the Irreal: Realistic Sound Design in Andrei Tarkovsky’s Films
This chapter focuses on Tarkovsky’s sound design that underwent several transformations throughout his career. Whereas in his early features the director used to employ a regular m...
Spray Coated Nanocellulose Films Productions, Characterization and Application
Spray Coated Nanocellulose Films Productions, Characterization and Application
Nanocellulose (NC) is a biodegradable, renewable and sustainable material. It has strong potential to use as a functional material in various applications such as barriers, coating...
Andrei Tarkovsky, Or the Thing from Inner Space
Andrei Tarkovsky, Or the Thing from Inner Space
This chapter offers a Lacanian reading of Tarkovsky’s films in terms of an encounter with the radical otherness of the Kantian thing-in-itself, illustrated by the planet Solaris or...
Wounds of the Past: Andrei Tarkovsky and the Melancholic Imagination
Wounds of the Past: Andrei Tarkovsky and the Melancholic Imagination
This chapter provides a psychoanalytically-inflected analysis of the complex nature of Tarkovsky’s melancholia as the predominant affect in his films, functioning as a poetic criti...
The Truth of Direct Observation: Andrei Rublev and the Documentary Style of Soviet Cinema in the 1960s
The Truth of Direct Observation: Andrei Rublev and the Documentary Style of Soviet Cinema in the 1960s
This chapter discusses Tarkovsky’s appreciation of newsreel-documentary films in the context of the Soviet film discourse over new documentary style in the 1960s. As Mandušić demon...


