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Charly García y el Síndrome The Wall: rock, política y parodia en la Argentina de los años noventa

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In Argentina, during the Nineties, the Peronism changes radically from apopulism to a neo-liberalism led by Carlos Ménem, president from 1989through 1999. Charly García, a polifacetic artist develops new multidisciplinarystrategies through parody, the main postmodern methodology ofaesthetic transgression (Hutcheon, 2000). We will give some theoretical approaches related with the Latin American economic phenomenon, aimingin three García’s albums, that exemplify his artistic and ideological evolution:La hija de la lágrima (1994), Say No More (1996) and Demasiado ego(1999); exploring the iterations of parody: binding, blending and banging(Chambers, 2012).
Universidad Nacional de Costa Rica
Title: Charly García y el Síndrome The Wall: rock, política y parodia en la Argentina de los años noventa
Description:
In Argentina, during the Nineties, the Peronism changes radically from apopulism to a neo-liberalism led by Carlos Ménem, president from 1989through 1999.
Charly García, a polifacetic artist develops new multidisciplinarystrategies through parody, the main postmodern methodology ofaesthetic transgression (Hutcheon, 2000).
We will give some theoretical approaches related with the Latin American economic phenomenon, aimingin three García’s albums, that exemplify his artistic and ideological evolution:La hija de la lágrima (1994), Say No More (1996) and Demasiado ego(1999); exploring the iterations of parody: binding, blending and banging(Chambers, 2012).

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