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Punch, or the London Charivari, vol. 80
View through The Met
Illustrations: wood engraving
Drawings and Prints, Metropolitan Museum of Art New York NY, Gift of Lydia Bond Powel 1965
Related Results
Pair of leather shoes with linen shoe bag and pair of metal and wood shoe trees, designed by Hook, Knowles & Co, London, ca. 1900. Pair of women's leather shoes with a natural linen bag and a pair of metal and wood shoe trees.Bright red leather lace up sh
Pair of leather shoes with linen shoe bag and pair of metal and wood shoe trees, designed by Hook, Knowles & Co, London, ca. 1900. Pair of women's leather shoes with a natural linen bag and a pair of metal and wood shoe trees.Bright red leather lace up sh
Pair of leather shoes with linen shoe bag and pair of metal and wood shoe trees, designed by Hook, Knowles & Co, London, ca. 1900. Pair of women's leather shoes with a natural line...
Pair of Candlesticks
Pair of Candlesticks
Two nearly identical silver candlesticks, each carrying the (unidentified) maker’s mark HW in an escutcheon-shaped punch with two pellets above and escallop below on both sticks an...
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur...
Punch, or the London Charivari, vols. 92-93
Punch, or the London Charivari, vols. 92-93
Illustrations: wood engraving...
Punch, or the London Charivari, vol. 148
Punch, or the London Charivari, vol. 148
Illustrations: wood engraving...

