Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Hitchcock and Warner Bros.

View through CrossRef
This chapter describes the relationship between Hitchcock and Jack L. Warner. Warner Bros. had agreed to serve as a distributor for pictures made by Transatlantic films with the proviso that Hitchcock direct one Warner’s film for each Transatlantic film. When Transatlantic floundered, Jack L. Warner restructured the deal so that Hitchcock would direct four films for Warner Bros., receiving $3,000 a week as his own producer and points on those films that turned a profit. The deal worked out well for Hitchcock, earning him roughly $250,000 per film, a considerable increase over the $50,000 Selznick had paid him for Rebecca and making him one of the best-paid directors in Hollywood. Subsequent chapters discuss the impacts of censorship on each of the four films Hitchcock made for Warner Bros.
University Press of Kentucky
Title: Hitchcock and Warner Bros.
Description:
This chapter describes the relationship between Hitchcock and Jack L.
Warner.
Warner Bros.
had agreed to serve as a distributor for pictures made by Transatlantic films with the proviso that Hitchcock direct one Warner’s film for each Transatlantic film.
When Transatlantic floundered, Jack L.
Warner restructured the deal so that Hitchcock would direct four films for Warner Bros.
, receiving $3,000 a week as his own producer and points on those films that turned a profit.
The deal worked out well for Hitchcock, earning him roughly $250,000 per film, a considerable increase over the $50,000 Selznick had paid him for Rebecca and making him one of the best-paid directors in Hollywood.
Subsequent chapters discuss the impacts of censorship on each of the four films Hitchcock made for Warner Bros.

Related Results

Harry Potter, Inc.
Harry Potter, Inc.
Engagement in any capacity with mainstream media since mid-2001 has meant immersion in the cross-platform, multimedia phenomenon of Harry Potter: Muggle outcast; boy wizard; corpor...
Hitchcock's Villains
Hitchcock's Villains
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, th...
Alfred Hitchcock Presents
Alfred Hitchcock Presents
This chapter reviews the creation and content of the television series Alfred Hitchcock Presents and describes the methods used by the director to sidestep censorship issues on and...
Hitchcock in Ascendance
Hitchcock in Ascendance
This chapter describes Hitchcock’s working relationships during his most productive years as a director. Under terms negotiated by his agent, Lew Wasserman, ownership of the films ...
Marnie (1964)
Marnie (1964)
Marnie was the second picture Hitchcock made with his new prot’g’e, Tippi Hedren. He had intended to use Grace Kelly in the title role, but Princess Grace begged off at the last mi...
Bernard Herrmann: Hitchcock’s secret sharer
Bernard Herrmann: Hitchcock’s secret sharer
This opening chapter explores the partnership between Hitchcock and Herrmann both as a very special professional connection between a director and composer but also as an intense C...
Vertigo
Vertigo
Alfred Hitchcock made Vertigo during an especially creative period of 1958–1960, when he released three historic films, Vertigo (1958), North by Northwest (1959), and Psycho (1960)...
Topaz (1969)
Topaz (1969)
Topaz, the first film to be undertaken by Hitchcock after the decline of the Production Code, was a disaster from beginning to end. The author of the best-selling novel on which th...

Back to Top